"Titania's Court" is in a moon-lighted space in the forest. Six fairies are dancing in a ring. More are coming out of the depths of the wood and off its rocky heights, hand in hand,--a flow of graceful figures. On the right side of the picture sits Titania, served by her Indian page, who kneels before her, holding an acorn-cup. This page is delicately differenced from the fairies by his straight hair, his features, Asiatic, though handsome, his girdle and bracelets of pearls, and a short striped skirt about his loins. The fairies all have flowing drapery or none, and features regular as Greeks. Two little figures in the air above Titania's head are fanning her with butterflies' wings; others are bringing water in shells and flower-cups; others playing on musical instruments. This is better than most pictures of this often-painted subject, because in it fancy does not override imagination, but helps and serves it. Another design was in chalk, on a dark canvas, of a ship at sea in a squall. This is wonderfully imitated in the engraving,--even all the blotches and erasures are there. The curves of the waves in a rolling sea were never better caught in all their subtle force. The clouds have great suggestions. There is a figure of "The Prodigal Son," from a pencil drawing; and a "Prometheus," also from a pencil sketch. Allston seemed equally at home in drawing powerful figures in action, or delicate dreamy figures in repose. He had the true imaginative power which realizes and understands all natural forms. We have thus given a few words of description to some of these remarkable pictures. We do not hope to convey any idea of them to those who have not seen them, for a picture is by its very nature incapable of being described in words. That which makes it a picture takes it out of the sphere of words. Neither do we attempt to analyze the genius of this great painter. We can enumerate some of his artistic qualities: his power in color, so creative; the still, reposeful spirit of his creations, reminding one of Beato Angelico; his grandly expressive forms; his powerful color compositions; and above all, that greatest crowning merit, that his works are, almost without exception, vitalized by an imaginative force which makes them living presences. Such effects are not produced by talent, however great, by culture, however perfect, but by a mind which is a law to itself,--in other words, a genius. Such, and nothing less, was Washington Allston. FOOTNOTES: [A] _Lectures on the Works and Genius of Washington Allston._ Boston: Phillips, Sampson, & Co. 1852. DOCTOR JOHNS I.