The Atlantic Monthly, Volume 15, No. 88, February, 1865: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 15, No. 88, February, 1865: A Magazine of Literature, Art, and Politics
Various
American periodicals
But civilization and the railways have debauched all such quiet,
stately, steady towns. There are none of them left. If the iron cordon
of travel, by a little divergence, has spared their quietude, leaving
them stranded upon a beach where the tide of active business never
flows, all their dignities are gone. The men of foresight and enterprise
have drifted away to new centres of influence. The bustling dames in
starched caps have gone down childless to their graves, or, disgusted
with gossip at second hand, have sought more immediate contact with the
world. A German tailor, may be, has hung out his sign over the door of
some mouldering mansion, where, in other days, a doughty judge of the
county court, with a great raft of children, kept his honors and his
family warm. A slatternly "carryall," with a driver who reeks of bad
spirit, keeps up uneasy communication with the outside world, traversing
twice or three times a day the league of drive which lies between the
post-office and the railway-station. A few iron-pated farmers, and a few
gentlemen of Irish extraction who keep tavern and stores, divide among
themselves the official honors of the town.
If, on the other hand, the people maintain their old thrift and
importance by actual contact with some great thoroughfare of travel,
their old quietude is exploded; a mushroom station has sprung up;
mushroom villas flank all the hills; the girls wear mushroom hats. A
turreted monster of a chapel from some flamboyant tower bellows out its
Sunday warning to a new set of church-goers. There is a little coterie
of "superior intelligences," who talk of the humanities, and diffuse
their airy rationalism over here and there a circle of the progressive
town. Even the meeting house, which was the great congregational centre
of the town religion, has lost its venerable air, taken off by some new
fancy of variegated painting. The high, square pews are turned into
low-backed seats, that flame on a summer Sunday with such gorgeous
millinery as would have shocked the grave people of thirty years ago.
The deep bass note which once pealed from the belfry with a solemn and
solitary dignity of sound has now lost it all amid the jangle of a
half-dozen bells of lighter and airier twang. Even the parson himself
will not be that grave man of stately bearing, who met the rarest fun
only benignantly, and to whom all the villagers bowed,--but some new
creature full of the logic of the schools and the latest
conventionalisms of manner. The homespun disciples of other days would
be brought grievously to the blush, if some deep note of the old bell
should suddenly summon them to the presence of so fine a teacher,
encompassed with such pretty appliances of upholstery; and, counting
their chances better in the strait path they knew on uncarpeted floors
and between high pews, they would slink back into their graves
content,--all the more content, perhaps, if they should listen to the
Public-domain text, read in full here on John Shaqi.
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