The Atlantic Monthly, Volume 15, No. 90, April, 1865: A Magazine of Literature, Art, and Politics — John Shaqi
The Atlantic Monthly, Volume 15, No. 90, April, 1865: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 15, No. 90, April, 1865: A Magazine of Literature, Art, and Politics
Various
American periodicals
There was something about this brace of monsters very fascinating to
Miselle. They seemed like subjected genii closed in these dull black
cases and this narrow shed, and yet embracing miles of territory in
their invisible arms. Even the genius of Aladdin's lamp was not so
powerful, for he was obliged to betake himself to the scene of the
wonders he was to enact,--and if imprisoned as closely as these, could
not have transferred enough oil from Tarr Farm to Plummer to fill his
own lamp.
Afterward, in rambling through the woods, Miselle often came upon the
mound raised above the buried pipe, and always regarded it with the same
admiring awe with which the fisherman of Bagdad probably looked at the
copper vessel wherein Solomon had so cunningly "canned" the rebellious
Afrit.
Leaving the shed of the monsters, Miselle followed her guide out of the
throng of derricks and tanks, and a short distance up the hill, to the
picturesque site of Messrs. Barrows and Hazleton's Refinery, the only
one now in operation on Tarr Farm.
Entering a low brick building called the still-house, she found herself
in a passage between two brick walls, pierced on either hand for five or
six oven-doors, while overhead the black roof was divided into panels by
a system of iron pipes through which the crude oil was conducted to the
caldrons above the iron doors.
The presiding genius of the place was a very fat, dirty, but intelligent
Irishman, known as Tommy, who came forward with the politeness of his
nation to greet the visitors, and explain to them the mysteries under
his charge.
"And give a guess, Ma'am, if ye plase, at what we've got a-burning
undher our big pot here," suggested he, with a hand upon one of the
oven-doors.
"Soft coal," ventured Miselle, remembering her experience at the
glassworks.
"Not a bit of it. It's the binzole intirely. We makes the ile cook
itself, an' not a hape of fu'l does it git, but what it brings along
itself."
"Seething the kid in its mother's milk," remarked Miselle to herself.
"It's this pipe fetches the binzole from the tank outside, and the mouth
of it's widin the door; and this is the stop-cock as lets it on."
So saying, Tommy threw open the oven-door, and pointed to the black end
of a pipe just within. At the same time he turned a handle on the
outside, and let on a stream of benzine or naphtha, which blazed
fiercely up with a lurid flame strongly suggestive of the pictured
reward of evil-doers in another life.
Next, Tommy proceeded to explain, after his own fashion, how the oil in
the caldrons above, urged by these fires, departed in steam and agony
through long pipes called worms, the only outlet from the otherwise
air-tight stills, which worms, wriggling out at the end of the building,
plunged into a bath of cold water provided for them in a huge square
tank fed by a bright mountain-stream winding down from the bluff above
in a fashion so picturesque as to be quite out of keeping with its
ultimate destination.
Public-domain text, read in full here on John Shaqi.
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