The Atlantic Monthly, Volume 15, No. 91, May, 1865: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 15, No. 91, May, 1865: A Magazine of Literature, Art, and Politics
Various
American periodicals
Have you heard the song of the Field-Sparrow? If you have lived in a
pastoral country with broad upland pastures, you could hardly have
missed him. Wilson, I believe, calls him the Grass-Finch, and was
evidently unacquainted with his powers of song. The two white lateral
quills in his tail, and his habit of running and skulking a few yards in
advance of you as you walk through the fields, are sufficient to
identify him. Not in meadows or orchards, but in high, breezy
pasture-grounds, will you look for him. His song is most noticeable
after sundown, when other birds are silent; for which reason he has been
aptly called the Vesper-Sparrow. The farmer following his team from the
field at dusk catches his sweetest strain. His song is not so brisk and
varied as that of the Song-Sparrow, being softer and wilder, sweeter and
more plaintive. Add the best parts of the lay of the latter to the
sweet, vibrating chant of the Wood-Sparrow, and you have the evening
hymn of the Vesper-Bird,--the poet of the plain, unadorned pastures. Go
to those broad, smooth, up-lying fields where the cattle and sheep are
grazing, and sit down in the twilight on one of those warm, clean
stones, and listen to this song. On every side, near and remote, from
out the short grass which the herds are cropping, the strain rises. Two
or three long, silver notes of peace and rest, ending in some subdued
trills and quavers, constitute each separate song. Often you will catch
only one or two of the bars, the breeze having blown the minor part
away. Such unambitious, quiet, unconscious melody! It is one of the most
characteristic sounds in Nature. The grass, the stones, the stubble, the
furrow, the quiet herds, and the warm twilight among the hills are all
subtilely expressed in this song; this is what they are at last capable
of.
The female builds a plain nest in the open field, without so much as a
bush or thistle or tuft of grass to protect it or mark its site; you may
step upon it, or the cattle may tread it into the ground. But the danger
from this source, I presume, the bird considers less than that from
another. Skunks and foxes have a very impertinent curiosity, as Finchie
well knows,--and a bank or hedge, or a rank growth of grass or thistles,
that might promise protection and cover to mouse or bird, these cunning
rogues would be apt to explore most thoroughly. The Partridge is
undoubtedly acquainted with the same process of reasoning; for, like the
Vesper-Bird, she, too, nests in open, unprotected places, avoiding all
show of concealment,--coming from the tangled and almost impenetrable
parts of the forest, to the clean, open woods, where she can command all
the approaches and fly with equal ease in any direction.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account