The Atlantic Monthly, Volume 15, No. 91, May, 1865: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 15, No. 91, May, 1865: A Magazine of Literature, Art, and Politics
Various
American periodicals
It is a loud, strong, sonorous call, and does not seem to imply an
answer, but rather to subserve some purpose of love or music. It is
"Yarup's" proclamation of peace and good-will to all. On looking at the
matter closely, I perceive that most birds, not denominated songsters,
have, in the spring, some note or sound or call that hints of a song,
and answers imperfectly the end of beauty and art. As a "brighter iris
comes upon the burnished dove," and the fancy of the young man turns
lightly to thoughts of his pretty cousin, so the same renewing spirit
touches the "silent singers," and they are no longer dumb; faintly they
lisp the first syllables of the marvellous tale. Witness the clear,
sweet whistle of the Gray-Crested Titmouse,--the soft, nasal piping of
the Nuthatch,--the amorous, vivacious warble of the Bluebird,--the long,
rich note of the Meadow-Lark,--the whistle of the Quail,--the drumming
of the Partridge,--the animation and loquacity of the Swallows, and the
like. Even the Hen has a homely, contented carol; and I credit the Owls
with a desire to fill the night with music. All birds are incipient or
would-be songsters in the spring. I find corroborative evidence of this
even in the crowing of the Cock. The flowering of the Maple is not so
obvious as that of the Magnolia; nevertheless, there is actual
inflorescence. Neither Wilson nor Audubon, I believe, awards any song to
that familiar little Sparrow, the _Socialis_; yet who that has observed
him sitting by the wayside, and repeating, with devout attitude, that
fine sliding chant, does not recognize the neglect? Who has heard the
Snow-Bird sing? Not the ornithologist, it seems; yet he has a lisping
warble very savory to the ear, I have heard him indulge in it even in
February.
Even the Cow-Bunting feels the musical tendency, and aspires to its
expression, with the rest. Perched upon the topmost branch beside his
mate or mates,--for he is quite a polygamist, and usually has two or
three demure little ladies in faded black beside him,--generally in the
early part of the day, he seems literally to vomit up his notes.
Apparently with much labor and effort, they gurgle and blubber up out of
him, falling on the ear with a peculiar subtile ring, as of turning
water from a glass jug, and not without a certain pleasing cadence.
Public-domain text, read in full here on John Shaqi.
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