The Atlantic Monthly, Volume 15, No. 92, June, 1865: A Magazine of Literature, Art, and Politics — John Shaqi
The Atlantic Monthly, Volume 15, No. 92, June, 1865: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 15, No. 92, June, 1865: A Magazine of Literature, Art, and Politics
Various
American periodicals
The superficial view of England breeds a kind of hopelessness in the
mind of the observer. He says to himself,--"All these stereotyped habits
and opinions, these ways of thinking, writing, building, living, and
dying, seem irrepealable; and the worst fault of their comparative
excellence is, that they appear determined not to yield another inch to
improvement." The Englishman says that America is forever bullying with
her restlessness and innovation. The American might at first say that
England bullied by never budging,--bullied the future, and every
rational or humane suggestion, by planting a portly attitude to
challenge the New Jerusalem in an overbearing chest voice, through which
the timid clarion of the angels is not heard.
If an observer knows anything of the history of England, he cannot deny
that vast changes have been made in every department of life: domestic
habits, social economics, the courts of law, the Church, the liberty of
the press and of speech, in short, all the roads, whether material or
mental, by which mankind travels to its ultimate purpose, have been
graded, widened, solidly equipped and built. A thousand years have
converted three or four races into one people,--and all that time and
weather have made upon it such strong imprints that you cannot see the
difference between a pyramid and a cathedral sooner than you can the
distinctive nationality of England. But for that very reason you despair
of it, just as you do of a cathedral which cannot be adapted to the
wants of a new religious age. At the same time that you venerate the
history of England, and are thankful for the great expansion which she
gave to human rights, you almost quarrel with it, because at first it
seems like an old stratum with its men and women imbedded; its
institutions, once so softly and lightly deposited, now become a tough
clay; its structures, once so curiously devised for living tenants, now
crusts and shells; its tracks of warm and bleeding feet now set in a
stiff soil that will take no future impression.
Public-domain text, read in full here on John Shaqi.
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