The Atlantic Monthly, Volume 15, No. 92, June, 1865: A Magazine of Literature, Art, and Politics — John Shaqi
The Atlantic Monthly, Volume 15, No. 92, June, 1865: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 15, No. 92, June, 1865: A Magazine of Literature, Art, and Politics
Various
American periodicals
His audience represents the district, and is an advertisement of the
kind of spiritual instruction which it needs and gets. Not many large
heads sit in the pews; narrowness, unreflecting earnestness, and healthy
desires are imprinted upon the faces upturned towards his clear and
level delivery. He is never exactly vapid, and he never soars. His
theology is full of British beer; but the common-sense of his points and
illustrations relative to morals and piety is a lucid interval by which
the hearers profit. They follow his textual allusions in their little
Bibles, and devoutly receive the crude and amusing interpretations as
utterances of the highest exegetical skill. But their faces shine when
the discourse moralizes; it seems to take them by the button, so
friendly it is,--but it looks them closely in the eye, without heat and
distant zeal, with great, manly expostulation, rather, and half-humorous
argument, that sometimes make the tears stand upon the lids. The florid
countenances become a shade paler with listening, the dark complexions
glow with a brooding religiosity. It is plain that he has a hungry
people, and feeds them with what suits their frames the best. His clear
voice, well fuelled by a full, though rather flabby frame, rolls into
all the galleries and corners of the vast building without effort; his
gestures are even and well balanced; and you are, in fact, surprised to
see how good a natural orator he is. You went to hear him, expecting to
find some justification for the stories which impute to him a low and
egotistic presence, and a delivery that depends upon broadness for its
effects. But he appears unpretending, in spite of the satisfied look
which he casts around the congregation when he first steps to the
railing of the platform. He is evidently conscious that he owns the
building and the audience; but, content with that, he makes no attempt
to put them in his pocket; on the contrary, he almost instantly becomes
seriously engaged in transferring into them his lesson for the day. His
style of extemporaneous speaking is conversational,--the better English
suspect all other styles,--and this of itself shows what improvement has
taken place in the Surrey region. If at first he indulged in rant, he
has now subsided into an even vein; he puts things plumply, and tells
his feelings gravely, and makes his points without quackery. So it is
plain that when he gives notice of a contribution for his college, in
which young men are trained for the ministry, and states simply, in
justification, that one hundred and fifty have already left it, and are
now engaged in preaching the dissenting word, he is to be regarded as
one of the decided influences which are now at work to bring the people
up to self-consciousness, self-respect, and political importance.
Public-domain text, read in full here on John Shaqi.
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