However, the characters are all respectably connected at last, and the reader does not care to understand how they were ever disconnected: for Lord Horion's motive in putting the children of the old Prince out of the way, and keeping up such an expensive mystification, can be justified only by an interesting plot. But American readers have learned by this time, much to their credit, not to apply to Jean Paul for the sensation of a cunningly woven narrative, like that of the English school, which furnishes verisimilitude to real life that is quite as improbable, though less glaringly so, than his departures from it. "Hesperus" is filled with pure and noble thought. The different types of female character are particularly well-defined; and if Jean Paul sometimes affects to say cynical things of women, he cannot veil his passionate regard for them, nor his profound appreciation of the elements of their influence in forming true society and refining the hearts of men. Notice the delicacy of the "Extra Leaf on Houses full of Daughters." It is chiefly with the women of his romances that Jean Paul succeeds in depicting individuals. And when we recollect the corrupt and decaying generation out of which his genius sprang, like a newly created species, to give a salutary shock to Gallic tastes, and lend a sturdy country vigor to the new literature, we reverence his faithfulness, his incorruptible humanity, his contempt for petty courts and faded manners, his passion for Nature, and his love of God. All these characteristics are so broadly printed upon his pages that the obsoleteness of the narrative does not hide them. In view of a second edition, we refer to Mr. Brooks's consideration a few places, with wonder at his general accuracy in the translation of obscure passages and the explanation of allusions. Vol. I. page 22. _Sakeph-Katon_ (Zaqueph Qaton) is an occasional pause-accent of the Hebrew, having the sense of "elevator minor," and is peculiar to prose. Page 68. The famous African Prince Le Boo deserves a note. Page 111. _Ripieno_ is an Italian musical term, meaning that which accompanies and strengthens. Page 114. _Graenswildpret_ does not mean "frontier wild-game," but game that, straying out of one precinct into another, gets captured: stray game, or impounded waif. Page 139. The note gives the sense, but the corresponding passage in the text would stand clearer thus: "not a noble heart, by any means; for such things Le Baut's golden key, though bored like a cannon, could fasten rather." Page 179. A note required: the passage of Shakspeare is, "Antony and Cleopatra," Act V., Scene 2:-- "His face was as the heavens; and therein stuck A sun and moon; which kept their course, and lighted The little O, the earth." _Territory of an old lady_ should be "prayer of an old lady." _Gebet_, not _Gebiet_.