The Atlantic Monthly, Volume 17, No. 100, February, 1866: A Magazine of Literature, Science, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 17, No. 100, February, 1866: A Magazine of Literature, Science, Art, and Politics
Various
American periodicals
And through the dream the lovers dreamed
Sweet sounds stole in and soft lights streamed;
The sunshine seemed to bless,
The air was a caress.
Not she who lightly scoffed was there,
With jewels in her midnight hair,
Her dark, disdainful eyes,
And proud lips worldly-wise;
But she who could for love dispense
With all its gilded accidents,
And trust her heart alone,
Found love and gold her own.
THE FREEDMAN'S STORY.
IN TWO PARTS.
PART I.
The manuscript of the following pages has been handed to me with the
request that I would revise it for publication, or weave its facts into
a story which should show the fitness of the Southern black for the
exercise of the right of suffrage.
It is written in a fair, legible hand; its words are correctly spelled;
its facts are clearly stated, and--in most instances--its sentences are
properly constructed. Therefore it needs no revision. On reading it over
carefully, I also discover that it is in itself a stronger argument for
the manhood of the negro than any which could be adduced by one not
himself a freedman; for it is the argument of facts, and facts are the
most powerful logic. Therefore, if I were to imbed these facts in the
mud of fiction, I should simply oblige the reader to dredge for the
oyster, which in this narrative he has without the trouble of dredging,
fresh and juicy as it came from the hand of Nature,--or rather, from the
hand of one of Nature's noblemen,--and who, until he was thirty years of
age, had never put two letters together.
The narrative is a plain and unpretending account of the life of a man
whose own right arm--to use his own expression--won his rights as a
freeman. It is written with the utmost simplicity, and has about it the
verisimilitude which belongs to truth, and to truth only when told by
one who has been a doer of the deeds and an actor in the scenes which he
describes. It has the further rare merit of being written by one of the
"despised race"; for none but a negro can fully and correctly depict
negro life and character.
General Thomas--a Southern man, and a friend of the Southern negro--was
once in conversation with a gentleman who has attained some reputation
as a delineator of the black man, when a long, lean, "poor white man,"
then a scout in the Union army, approached the latter, and, giving his
shoulder a familiar slap, accosted him with,--
"How are you, ole feller?"
The gentleman turned about, and forgetting, in his joy at meeting an old
friend, the presence of this most dignified of our military men,
responded to the salutation of the scout in an equally familiar and
boisterous manner. General Thomas "smiled wickedly," and quietly
remarked,--
"You seem to know each other."
"Know _him_!" exclaimed the scout. "Why, Gin'ral, I ha'n't seed him fur
fourteen year; but I sh'u'd know him, ef his face war as black as it war
one night when we went ter a nigger shindy tergether!"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account