The Atlantic Monthly, Volume 17, No. 103, May, 1866: A Magazine of Literature, Science, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 17, No. 103, May, 1866: A Magazine of Literature, Science, Art, and Politics
Various
American periodicals
"You ask how I, who could converse
With Pericles, can stoop to worse:
How I, who once had higher aims,
Can trifle so with epigrams.
I would not lose the wise from view,
But would amuse the children too:
Besides, my breath is short and weak,
And few must be the words I speak."
Ah! but it is a question whether the children are amused. Occasionally
there is a line with the old ring to it, a couplet seasoned with Attic
salt, but for the rest there is the body without the spirit,--there is
the well of English undefiled, but it is pumped dry! Probably the desire
to publish was never so great as during Landor's last years, when the
interests of his life had narrowed down to reading and writing, and he
had become a purely introverted man. It was then he wrote:--
"The heaviest curse that can on mortal fall
Is, 'Who has friends may he outlive them all!'
This malediction has awaited me,
Who had so many.... I could once count three."
Cursed thus, he turned to the public for the only consolation left him
on this side of the grave. It was not sufficient to write, for it is he
as the Homer of his Idyls that confesses
"A pardonable fault: we wish for listeners
Whether we speak or sing: the young and old
Alike are weak in this, unwise and wise
Cheerful and sorrowful."
Twenty years before, Landor wrote to Lady Blessington: "Once beyond
seventy, I will never write a line in verse or prose for publication. I
will be my own Gil Blas. The wisest of us are unconscious when our
faculties begin to decay." He, wisest of all, forgot his own good
resolutions; but the listeners to these latter-day Idyls were few, and
Landor had scarce collected his small audience before the lights were
blown out and the curtain fell upon the deathbed of the singer.
To express a liking for any of Landor's pictures--provided you were a
friend--was almost sufficient to cause them to be taken down and
presented to you; hence to praise anything in his presence was
exceedingly unsafe. I remember looking over a large album once belonging
to Barker, the English artist, which Landor had purchased to relieve him
of certain debts, and particularly admiring four original sketches by
Turner--two in oil and two in india-ink--that had been given by this
artist to his brother-painter. No sooner had I spoken than Landor went
in search of the scissors, and, had I not earnestly protested, would
have cut out the Turners and given them to me. Such being Landor's
disposition, one can well imagine how easily he could be imposed upon by
designing people. There is an instance of his kindly feeling so
prominent and so honorable both to himself and the object of it, that it
is but right the public should read the contents of two letters
belonging to and greatly treasured by me. They were put into my hands
nearly four years ago by Landor to do with as I pleased after his death.
The letters explain themselves.
Public-domain text, read in full here on John Shaqi.
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