The Atlantic Monthly, Volume 17, No. 103, May, 1866: A Magazine of Literature, Science, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 17, No. 103, May, 1866: A Magazine of Literature, Science, Art, and Politics
Various
American periodicals
"It's not--where I can be happiest, Phil; I don't ask myself that
question; I fear I never can";--and her lips trembled as she said it.
"You can,--you ought," burst out Phil, fired at sight of her emotion,
and would have gone on bravely and gallantly, may be, with the passion
that was surging in him, if a look of hers and a warning finger had not
stayed him.
"We'll talk no more of this, Phil"; and her lips were as firm as iron
now.
Both of them serious and silent for a while; until at length Adele, in
quite her old manner, says: "Of course, Phil, father may bring me to
America again some day; and if so, I shall certainly beg for a little
visit in Ashfield. It would be very ungrateful in me not to remember the
pleasant times I've had here."
But Phil cannot so deftly change the color of his talk; his chattiness
has all gone from him. Nor does it revive on reaching home. Good Mrs.
Elderkin says, "What makes you so crusty, Phil?"
LX.
Maverick arrives, as he had promised to do, some time in early July;
comes up from the city without announcing himself in advance; and,
leaving the old coach, which still makes its periodical trips from the
river, a mile out from the town, strolls along the highway. He remembers
well the old outline of the hills; and the straggling hedge-rows, the
scattered granite boulders, the whistling of a quail from a near fence
in the meadow, all recall the old scenes which he knew in boyhood. At a
solitary house by the wayside a flaxen-haired youngster is blowing off
soap-bubbles into the air,--with obstreperous glee whenever one rises
above the house-tops,--while the mother, with arms akimbo, looks
admiringly from the open window. It was the home to which the feet of
Adele had latterly so often wandered.
Maverick is anxious for a word with the Doctor before his interview with
Adele even. He does not know her present home; but he is sure he can
recall the old parsonage, in whose exterior, indeed, there have been no
changes for years. The shade of the embowering elms is grateful as he
strolls on into the main street of the town. It is early afternoon, and
there are few passers-by. Here and there a blind is coyly turned, and a
sly glance cast upon the stranger. A trio of school-boys look
wonderingly at his foreign air and dress. A few loiterers upon the
tavern steps--instructed, doubtless, by the stage-driver, who has duly
delivered his portmanteau--remark upon him as he passes.
Public-domain text, read in full here on John Shaqi.
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