The Atlantic Monthly, Volume 17, No. 104, June, 1866: A Magazine of Literature, Science, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 17, No. 104, June, 1866: A Magazine of Literature, Science, Art, and Politics
Various
American periodicals
No hostile forms with axe or spud now visit these solitudes. The cows
have half-hidden ways through them, and know where the best browsing is
to be had. In spring the farmer repairs to their bordering of maples to
make sugar; in July and August women and boys from all the country about
penetrate the old Barkpeeling for raspberries and blackberries; and I
know a youth who wonderingly follows their languid stream casting for
trout.
In like spirit, alert and buoyant, on this bright June morning go I also
to reap my harvest,--pursuing a sweet more delectable than sugar, fruit
more savory than berries, and game for another palate than that tickled
by trout.
June, of all the months, the student of ornithology can least afford to
lose. Most birds are nesting then, and in full song and plumage. And
what is a bird without its song? Do we not wait for the stranger to
speak? It seems to me that I do not know a bird till I have heard its
voice; then I come nearer it at once, and it possesses a human interest
to me. I have met the Gray-cheeked Thrush (_Turdus aliciae_) in the
woods, and held him in my hand; still I do not know him. The silence of
the Cedar-Bird throws a mystery about him which neither his good looks
nor his petty larcenies in cherry time can dispel. A bird's song
contains a clew to its life, and establishes a sympathy, an
understanding, between itself and the admiring listener.
I descend a steep hill, and approach the hemlocks through a large
sugar-bush. When twenty rods distant, I hear all along the line of the
forest the incessant warble of the Red-eyed Flycatcher (_Vireosylvia
olivacea_), cheerful and happy as the merry whistle of a schoolboy. He
is one of our most common and widely distributed birds. Approach any
forest at any hour of the day, in any kind of weather, from May to
August, in any of the Middle or Eastern districts, and the chances are
that the first note you hear will be his. Rain or shine, before noon or
after, in the deep forest or in the village grove,--when it is too hot
for the thrushes or too cold and windy for the warblers,--it is never
out of time or place for this little minstrel to indulge his cheerful
strain. In the deep wilds of the Adirondac, where few birds are seen and
fewer heard, his note was almost constantly in my ear. Always busy,
making it a point never to suspend for one moment his occupation to
indulge his musical taste, his lay is that of industry and contentment.
There is nothing plaintive or especially musical in his performance, but
the sentiment expressed is eminently that of cheerfulness. Indeed the
songs of most birds have some human significance, which, I think, is the
source of the delight we take in them. The song of the Bobolink, to me,
expresses hilarity; the Song-Sparrow's, faith; the Bluebird's, love; the
Cat-Bird's, pride; the White-eyed Fly-catcher's, self-consciousness;
that of the Hermit-Thrush, spiritual serenity; while there is something
Public-domain text, read in full here on John Shaqi.
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