The Atlantic Monthly, Volume 17, No. 104, June, 1866: A Magazine of Literature, Science, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 17, No. 104, June, 1866: A Magazine of Literature, Science, Art, and Politics
Various
American periodicals
He is not much in the books. Indeed, I am acquainted with scarcely any
writer on ornithology whose head is not muddled on the subject of our
three prevailing song-thrushes, confounding either their figures or
their songs. A writer in the Atlantic[A] gravely tells us the
Wood-Thrush is sometimes called the Hermit, and then, after describing
the song of the Hermit with great beauty and correctness, coolly
ascribes it to the Veery! The new Cyclopaedia, fresh from the study of
Audubon, says the Hermit's song consists of a single plaintive note, and
that the Veery's resembles that of the Wood-Thrush! These observations
deserve to be preserved with that of the author of "Out-door Papers,"
who tells us the trill of the Hair-Bird (_Fringilla socialis_) is
produced by the bird fluttering its wings upon its sides! The
Hermit-Thrush may be easily identified by his color; his back being a
clear olive-brown, becoming rufous on his rump and tail. A quill from
his wing placed beside one from his tail, on a dark ground, presents
quite a marked contrast.
I walk along the old road, and note the tracks in the thin layer of mud.
When do these creatures travel here? I have never yet chanced to meet
one. Here a partridge has set its foot; there, a woodcock; here, a
squirrel or mink; there, a skunk; there, a fox. What a clear, nervous
track Reynard makes! how easy to distinguish it from that of a little
dog,--it is so sharply cut and defined! A dog's track is coarse and
clumsy beside it. There is as much wildness in the track of an animal as
in its voice. Is a deer's track like a sheep's or a goat's? What
winged-footed fleetness and agility may be inferred from the sharp,
braided track of the gray squirrel upon the new snow! Ah! in nature is
the best discipline. I think the sculptor might carve finer and more
expressive lines if he grew up in the woods, and the painter
discriminate finer hues. How wood-life sharpens the senses, giving a new
power to the eye, the ear, the nose! And are not the rarest and most
exquisite songsters wood-birds?
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