The Atlantic Monthly, Volume 18, No. 107, September, 1866: A Magazine of Literature, Science, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 18, No. 107, September, 1866: A Magazine of Literature, Science, Art, and Politics
Various
American periodicals
From the report of an ancient Spanish ballad, the art of needle-work and
taste in dress must have attained great perfection in that country while
our Anglo-Saxon sisters were wearing their plain long gowns. The fair
Sybilla is described as changing her dress seven times in one evening,
on the arrival of that successful and victorious knight, Prince Baldwin.
First, she dazzles him in blue and silver, with a rich turban; then
appears in purple satin, fringed and looped with gold, with white
feathers in her hair; next, in green silk and emeralds; anon, in pale
straw-color, with a tuft of flowers; next, in pink and silver, with
varied plumes, white, carnation, and blue; then, in brown, with a
splendid crescent. As the fortunate Prince beholds each transformation,
he is bewildered (as well he may be) to choose which array becomes her
best; but when
"Lastly in white she comes, and loosely
Down in ringlets floats her hair,
'O,' exclaimed the Prince, 'what beauty!
Ne'er was princess half so fair.'"
Simplicity and natural grace carried the day after all, as they
generally do with men of true taste. "Woman is fine for her own
satisfaction alone," says that nice observer of human nature, Jane
Austen. "Man only knows man's insensibility to a new gown." We hope,
however, that the dressmakers and tirewomen of the fair Sybilla, who had
expended so much time and invention, were handsomely rewarded by the
Prince, since they must have been most accomplished needle-women and
handmaids to have got up their young lady in so many costumes and in
such rapid succession.
A very odd fashion appears in the thirteenth and fourteenth centuries,
of embroidering heraldic devices on the long gowns of the ladies of
rank. In one of the illuminations of a famous psalter, executed for Sir
Geoffery Loutterell, who died in 1345, that nobleman is represented
armed at all points, receiving from the ladies of his family his tilting
helmet, shield, and _pavon_. His coat of arms is repeated on every part
of his own dress, and is embroidered on that of his wife, who wears also
the crest of her own family.
Public-domain text, read in full here on John Shaqi.
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