Christine's style of holding the implements,--one in each hand,--and the case of materials for her work which lies beside her, are according to representations of the _miniatori caligrafi_ at their labors; and, as the art of caligraphy was well known at Bologna, so learned a man as Thomas de Pisan must have been acquainted with it, and would have caused his talented daughter to be instructed in so rare an accomplishment. It is not therefore unreasonable to believe that, in the beautiful volume now in the British Museum, the work of Christine's hand, as well as the result of her genius, is preserved. The next picture shows us Christine presenting her book to Charles VII. of France, who is dressed in a black robe edged with ermine; he wears a golden belt, order, and crown. The king is seated beneath a canopy, blue, powdered with _fleurs de lis_. Four courtiers stand beside him, dressed in robes of different colors,--one in pink, and wearing a large white hat of Quaker-like fashion. Christine has put on a white robe over her blue dress, perhaps as a sign of mourning,--she being then a widow. A white veil depends from the peaks of her head-dress. She kneels before the king, and presents her book. Another and more elaborate picture represents the repetition of the same ceremony before Isabelle of Bavaria, queen of Charles VI. We are here admitted into the private royal apartments of the fourteenth century. The hangings of the apartment consist of strips, upon which are alternately emblazoned the armorial devices of France and Bavaria. A couch or bed, with a square canopy covered with red and blue, having the royal arms embroidered in the centre, stands on one side of the room. The queen is seated upon a lounge of modern shape, covered to correspond with the couch. She is dressed in a splendid robe of purple and gold, with long sleeves sweeping the ground, lined with ermine; upon her head arises a structure of stuffed rolls, heavy in material and covered with jewels, which shoots up into two high peaks above her forehead. Six ladies are in waiting, two in black and gold, with the same enormous head-gears. They sit on the edge of her Majesty's sofa, while four ladies of inferior rank and plainer garments are contented with low benches. Christine reappears in her blue dress, and white-veiled, peaked cap. She kneels before the queen, on a square carpet with a geometrical-patterned border, and presents her book. A white Italian hound lies at the foot of the couch, while beside Isabelle sits a small white dog, resembling the one we saw in Christine's study. As we can hardly suppose Christine would bring her pet on so solemn an occasion,--far less allow him to jump up beside the queen,--and as this little animal wears no gold bells, we are led to suppose that little white dogs were in fashion in the fourteenth century.