The Atlantic Monthly, Volume 18, No. 110, December, 1866: A Magazine of Literature, Science, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 18, No. 110, December, 1866: A Magazine of Literature, Science, Art, and Politics
Various
American periodicals
It is not as a moralist that we have primarily to find fault with Mr.
Reade, but as an artist, for his moral would have been good if his art
had been true. The work, up to the conclusion of Catharine Gaunt's
trial, is in all respects too fine and high to provoke any reproach from
us; after that, we can only admire it as a piece of literary gallantry
and desperate resolution. "C'est magnifique; mais ce n'est pas la
guerre." It is courageous, but it is not art. It is because of the
splendid _elan_ in all Mr. Reade writes, that in his failure he does not
fall flat upon the compassion of his reader, as Mr. Dickens does with
his "Golden Dustman." But it is a failure, nevertheless; and it must
become a serious question in aesthetics how far the spellbound reader may
be tortured with an interest which the power awakening it is not
adequate to gratify. Is it generous, is it just in a novelist, to lift
us up to a pitch of tragic frenzy, and then drop us down into the last
scene of a comic opera? We refuse to be comforted by the fact that the
novelist does not, perhaps, consciously mock our expectation.
Let us take the moral of "Griffith Gaunt,"--so poignant and effective
for the most part,--and see how lamentably it suffers from the defective
art of the _denouement_. In brief: up to the end of Mrs. Gaunt's trial
we are presented with a terrible image of the evils that jealousy,
anger, and lies bring upon their guilty and innocent victims. Griffith
Gaunt is made to suffer--as men in life suffer--a dreadful remorse and
anguish for the crimes he has committed and the falsehoods to which they
have committed him. A man with a heart at first tender and true becomes
a son of perdition, utterly incapable of tenderness and
truth,--consciously held away from them by ever-cumulative force. The
spectacle is not new,--it is old as sin itself; but it is here revealed
with the freshest and most authentic power, and with a repelling
efficacy which we have seldom seen equalled in literature. Mrs. Gaunt
justly endures the trouble brought upon her by pride and unbridled bad
temper, and unavoidably endures the consequences of another's wrong.
Mercy Vint is a guiltless and lovely sacrifice to both almost equally.
Public-domain text, read in full here on John Shaqi.
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