The Atlantic Monthly, Volume 18, No. 110, December, 1866: A Magazine of Literature, Science, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 18, No. 110, December, 1866: A Magazine of Literature, Science, Art, and Politics
Various
American periodicals
What is the end? Mercy Vint is given in marriage to the honestest and
faithfulest gentleman in the book, whose heroism we admire without
envying. But in any case so good a woman would have achieved peace for
herself, and it is at some cost to our regard for her entirety that we
consent to see her rewarded by being made a nobleman's wife and the
mother of nine children. In this character she lives a life less perfect
and consequent than she might have led in a station less exalted, but
distant from the circles in which she could not appear at the same time
with the man who had infamously wronged her without exciting whispers
painful to herself and embarrassing to her husband. Indeed, there seems
to be rather more of vicarious expiation in her fate than the interests
of population and of "young women who have been betrayed" have any right
to demand.
Mrs. Gaunt fully expiates her error before her trial ends. But how of
her husband? Mr. Reade seems to like his Griffith Gaunt, who is not to
our mind, and who is never less worthy of happiness than at the moment
when his wife forgives him. It is not that he is a bigamist and betrayer
of innocence that his redemption seems impossible through the means
employed; but how can Catharine Gaunt love a coward and sneak, even in
the wisdom which a court of justice has taught her? This furious and
stupid traitor is afraid to appear and save his wife lest he be branded
in the hand; and we are to pardon him because, at no risk to himself, he
gives the worthless blood of his veins to rescue her from death. If the
fable teaches anything in Griffith Gaunt's case, it is this: Betray two
noble women, and after some difficulty you shall get rid of one, be
forgiven by the other, come into a handsome property, and have a large
and interesting family. If the reader will take the fate of Griffith
Gaunt and contrast it with that of Tito Melema, in "Romola," he shall
see all the difference that passes between an artificial and an artistic
solution of a moral problem.
Defective art is noticeable in the minor as well as the principal
features of the _denouement_ of Griffith Gaunt. There is the case of the
unhappy little baby of Mercy. It is plain that the infant is a
stumbling-block in its mother's path to Neville Cross; but we have
scarcely begun to lament its presence, when it is swiftly put to death
by a special despatch from the obliging destiny of the _denouement_. The
event is a coincidence, to say the least, and is scarcely less an
operation than the transfusion of blood by which Griffith Gaunt and his
wife are preserved to a long life of happiness. But this part of the
work is full of wonders. The cruel enchantments are all dissolved by
more potent preternatural agencies, and a superhuman prosperity dwells
alike with the just and the unjust,--Mrs. Ryder excepted, who will
probably go to the Devil as some slight compensation for the loss of
Griffith Gaunt.
Public-domain text, read in full here on John Shaqi.
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