The Atlantic Monthly, Volume 20, No. 117, July, 1867: A Magazine of Literature, Science, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 20, No. 117, July, 1867: A Magazine of Literature, Science, Art, and Politics
Various
American periodicals
There are a few edifices of more pretension and of
modern build, but not so strikingly as to put the rest out of
countenance. The post-office, when we found it, proved to be an ivied
cottage, with a good deal of shrubbery round it, having its own pathway,
like the other cottages. The whole looks like a real seclusion, shut out
from the great world by these encircling hills, on the sides of which,
whenever they are not too steep, you see the division-lines of property,
and tokens of cultivation,--taking from them their pretensions to savage
majesty, but bringing them nearer to the heart of man.
Since writing the above, I have been again with S---- to see
Wordsworth's grave, and, finding the door of the church open, we went
in. A woman and little girl were sweeping at the farther end, and the
woman came towards us out of the cloud of dust which she had raised. We
were surprised at the extremely antique appearance of the church. It is
paved with bluish-gray flagstones, over which uncounted generations have
trodden, leaving the floor as well laid as ever. The walls are very
thick, and the arched windows open through them at a considerable
distance above the floor. And down through the centre of the church runs
a row of five arches, very rude and round-headed, all of rough stone,
supported by rough and massive pillars, or rather square stone blocks,
which stand in the pews, and stood in the same places, probably, long
before the wood of those pews began to grow. Above this row of arches is
another row, built upon the same mass of stone, and almost as broad, but
lower; and on this upper row rests the framework, the oaken beams, the
black skeleton of the roof. It is a very clumsy contrivance for
supporting the roof, and if it were modern we certainly should condemn
it as very ugly; but being the relic of a simple age, it comes in well
with the antique simplicity of the whole structure. The roof goes up,
barn-like, into its natural angle, and all the rafters and cross-beams
are visible. There is an old font; and in the chancel is a niche, where,
judging from a similar one in Furness Abbey, the holy water used to be
placed for the priest's use while celebrating mass. Around the inside of
the porch is a stone bench, placed against the wall, narrow and uneasy,
but where a great many people had sat who now have found quieter
resting-places.
Public-domain text, read in full here on John Shaqi.
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