We shall best understand the meaning of this if we consider the simplest of the elemental atoms, namely, the atom of hydrogen with its positive nucleus and its one electron revolving about the nucleus. How could it be possible to explain from such a simple structure the many sharp spectral lines given by the Balmer-Ritz formula (p. 57)? As has previously been mentioned, the classical electron theory seemed to demand a very complicated atomic structure for the explanation of these lines. According to the electron theory, the atoms may be likened to stringed instruments which are capable of emitting a great number of tones, and in these atoms the electrons are naturally supposed to correspond to the “strings.” But the hydrogen atom has only one electron, and it hardly seems credible that in a mass of hydrogen the individual atoms would be tuned for different “tones,” with definite frequencies of vibration. Now, it certainly cannot be concluded from the analogy with the stringed instrument that a single electron can emit light of only a single frequency at one time, corresponding to a single spectral line. For a plucked string will, as we know, give rise to a simple tone only if it vibrates in a very definite and particularly simple way; in general it will emit a compound sound which may be conceived as made up of a “fundamental” and its so-called “overtones,” or “harmonies” whose frequencies are 2, 3, ... times that of the fundamental (_i.e._ integral multiples of the latter). These overtones may arise even separately because the string, instead of vibrating as a whole, may be divided into 2, 3, ... equally long vibrating parts, giving respectively 2, 3, ... times as great frequencies of vibration. We call such vibrations “harmonic oscillations.” The simultaneous existence of these different modes of oscillation of the string may be thought of in the same way as the simultaneous existence of wave systems of different wave-lengths on the surface of water. Corresponding to the possibility of resolving the motion of the string into its “harmonic components,” the compound sound waves produced by the string can be resolved by resonators (cf. p. 44) into tones possessing the frequencies of these components.