In Greece the profession of the actor was an honourable one, and there was no suspicion of degradation about it, as there was in Rome.[828] Actors and other dramatic performers were regarded as ministers of religion. In the dramatic exhibitions at Athens the actors were placed on the same level as the poets and choregi. Their names were recorded in the public archives, and in commemorative tablets; and competitions in acting were established side by side with the competitions between the poets. It is true that Aeschines is very frequently taunted by Demosthenes with his theatrical career, but the taunts are due to the fact, not that he was an actor, but that he was an unsuccessful one. Actors at the head of their profession occupied a very distinguished position. Aristodemus, the tragic actor, was on two occasions sent as ambassador to Macedon by the Athenians, and was largely instrumental in negotiating the peace.[829] The great Athenian actors were much sought after by the monarchs of the time. Aristodemus and Neoptolemus were frequently at the court of Philip, and Thessalus and Athenodorus at the court of Alexander.[830] Thessalus was a great favourite with Alexander, and was employed by him on delicate missions.[831] The leading actors seem to have made large incomes. For instance, Polus told Demosthenes that he was paid a talent for acting during two days, only.[832] It is not stated whether the performance to which he refers took place at Athens, or elsewhere; but in all probability it was in some foreign state. There is no evidence to show what salaries were paid to the actors at the great Athenian festivals. As for the lower ranks of the profession, the tritagonists, chorus-singers, musicians, and so on, though there was nothing dishonourable about their calling, their reputation does not seem to have been very high. Their strolling and uncertain manner of life seems to have had a bad effect upon their character. Aristotle, in his Problems, asks the question why it is that the artists of Dionysus are generally men of bad character. He thinks the reason is partly due to the vicissitudes in their fortunes, and the rapid alternations between luxury and poverty, partly to the fact that their professional duties left them no time for general culture.[833] His remarks of course apply mainly to the lower grades of the profession. § 12. _Celebrated Athenian Actors._