The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at AthensHaigh, A. E. (Arthur Elam)
History
The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at Athens
Haigh, A. E. (Arthur Elam)
Athens (Greece) -- Intellectual life; Greek drama -- History and criticism; Theater -- Greece -- Athens -- History -- To 500
Except on rare occasions the dramatic choruses were drawn up in
formations of military regularity, both on their first entrance, and
during the progress of the play. They presented a perfectly symmetrical
appearance in the orchestra. In this respect they offer a contrast to
the choruses in a modern opera, and to the crowds which are introduced
upon the modern stage. As a rule no attempt was made to imitate the
fluctuating movements and haphazard grouping of an ordinary crowd. The
chorus marched into the orchestra, and took up its position before the
stage, with the regularity and precision of a body of soldiers. In all
dramatic choruses—tragic, comic, and satyric—the rectangular formation
was invariably adopted, as opposed to the circular arrangement of the
dithyrambic choruses.[894] This quadrangular formation was probably
of Doric origin.[895] Every dramatic chorus, when drawn up in this
way, consisted of a certain number of ‘ranks’, and a certain number of
‘files’. For instance, the tragic chorus, with its fifteen members,
contained five ranks of three men each, and three files of five men each.
Similarly the comic chorus, which was composed of twenty-four persons,
contained six ranks of four men each, and four files of six men each.
According to the Attic phraseology a chorus was said to be drawn up ‘by
ranks’ when the different members of the same rank stood one behind the
other. It was said to be drawn up ‘by files’ when the members of the
same file were one behind the other. Accordingly, when a tragic chorus
was drawn up ‘by ranks’, the men stood five abreast and three deep. When
it was drawn up ‘by files’, they stood three abreast and five deep. The
same regulations applied to the comic chorus. It might be arranged ‘by
ranks’, with the men six abreast and four deep; or ‘by files’, with the
men four abreast and six deep.[896] The arrangements throughout were
of this military character. In fact the training of a choreutes was
considered by many of the ancient writers to be an excellent preparation
for warlike service.[897]
[Illustration: FIG. 31.]
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