The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at AthensHaigh, A. E. (Arthur Elam)
History
The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at Athens
Haigh, A. E. (Arthur Elam)
Athens (Greece) -- Intellectual life; Greek drama -- History and criticism; Theater -- Greece -- Athens -- History -- To 500
the conclusions based upon the evidence of ancient authors.
No doubt at first sight it appears a very startling fact that women and
boys should have been spectators of the Old Comedy. But it should always
be remembered that the comedies performed at the festivals of Dionysus
were a portion of a religious celebration, which it was a pious duty
to take part in. Ribaldry and coarseness were a traditional element in
the worship of Dionysus, handed down from rude and primitive times, and
were not lightly to be dispensed with. The Greeks in such matters were
thoroughly conservative. It was a feeling of this kind which caused
the satyric drama to be developed side by side with tragedy, in order
that the old licentious merriment of the satyrs might not be utterly
forgotten. The coarseness of the Old Comedy, being a regular part of the
celebrations in honour of Dionysus, might be witnessed by boys and women
without degradation, though their presence at similar scenes in real life
would have been regarded in a very different manner. Where the worship of
the gods was concerned, the practice of keeping women in strict seclusion
was allowed to drop into abeyance. Women and even girls were present at
the phallic processions in honour of Dionysus.[995] Their appearance
on such occasions was regarded as a mere matter of course. It need not
therefore surprise us that women and boys should have been present in the
theatre at the performances of the Old Comedy.
Whether they were ever present in large numbers is a further question.
Even those writers who admit that their presence was not prohibited
by law, generally add that the more respectable women would in all
probability keep away.[996] But the only authority for such a notion is
to be found in a couple of passages in Aristophanes, which represent the
husband as present in the theatre, while the wife was at home.[997] There
is nothing so unusual in an occurrence of this kind as to warrant any
sweeping conclusions. Some people must necessarily have remained at home,
from the mere fact that the theatre would not have been large enough to
contain the whole population of Athens, if men, women, and children had
all been present. But it is hardly probable, for the reasons already
stated, that there was anything disreputable in a woman visiting the
theatre. Reformers like Aristotle were in advance of ordinary public
opinion in their feelings about such matters. Aristotle expresses a
strong opinion that boys should be prevented from seeing or hearing
any piece of coarseness or indecency.[998] Even if such ribaldry is an
essential feature in the worship of any particular deity, he says that
only men should be allowed to be present. The men should pay the proper
homage to gods of this character on behalf of themselves, their wives,
and their children; but boys should not be permitted to be witnesses of
comedies and similar spectacles. This passage, in which Aristotle is
Public-domain text, read in full here on John Shaqi.
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