The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at AthensHaigh, A. E. (Arthur Elam)
History
The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at Athens
Haigh, A. E. (Arthur Elam)
Athens (Greece) -- Intellectual life; Greek drama -- History and criticism; Theater -- Greece -- Athens -- History -- To 500
combating the prevailing practice of the times, is an additional proof
that boys were present at the performance of comedies, and shows clearly
that when the worship of the gods was concerned ordinary public opinion
did not consider such spectacles improper.[999]
Besides women and children it appears that slaves were occasionally
present at the theatre. Plato in the Gorgias mentions slaves as one
of the classes before which the tragic poets will not be allowed to
perform in his ideal commonwealth.[1000] The shameless man described by
Theophrastus takes the ‘paedagogus’ to the theatre, along with his sons,
and crowds them all into seats which did not really belong to him.[1001]
It is not, however, probable that the number of slaves among the audience
was ever very great. Their presence would depend upon the kindness of
their masters. But the two passages just quoted prove that there was no
law to prevent their attendance.
§ 2. _Price of Admission._
The dramatic entertainments at Athens were provided by the state for
the benefit of the whole people. The entrance was originally free, and
every man was allowed to get the best seat he could. But, as the drama
was extremely popular from the very first, the struggle for seats caused
great disturbances. People used to come and secure places the night
before the performance began; citizens complained that they were crowded
out of the theatre by foreigners; blows and fights were of frequent
occurrence. It was therefore decided to charge a small entrance fee, and
to sell all the seats in advance. In this way the crush of people was
avoided, and, as each man’s seat was secured for him, he was able to go
to the theatre at a more reasonable hour.[1002] The price of a seat for
one day’s performance was two obols. The same price appears to have been
charged for all the different parts of the theatre, with the exception
of the reserved seats for priests, officials, and other distinguished
persons.[1003] A gradation of prices, according to the goodness and
badness of the seat, would probably not have been tolerated by the
democracy, as giving the rich too great an advantage over the poor.
Public-domain text, read in full here on John Shaqi.
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