The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at AthensHaigh, A. E. (Arthur Elam)
History
The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at Athens
Haigh, A. E. (Arthur Elam)
Athens (Greece) -- Intellectual life; Greek drama -- History and criticism; Theater -- Greece -- Athens -- History -- To 500
With the exception of the reserved places in the front rows, the rest of
the auditorium consisted of the ordinary two-obol seats. Concerning the
arrangements adopted in this part of the theatre a few details have been
recorded. It appears that special portions of the auditorium were set
apart for the different classes of the community. There was a particular
place for the members of the Council of Five Hundred, and another place
for the Ephebi, or youths between the age of eighteen and twenty.[1028]
The women were separated from the men, and the courtesans sat apart from
the other women.[1029] It is probable that all the women sat at the back
of the theatre, at a long distance from the stage. Foreigners also seem
usually to have had a special place.[1030] The amphitheatre of seats was
divided into thirteen blocks by the passages which ran upwards from the
orchestra. It is very probable that in the arrangement of the audience
each tribe had a special block assigned to it. The blocks of seats
were thirteen from the first. The tribes were originally ten, though
they were raised in later times to twelve and thirteen. It is possible
that the three unappropriated blocks were assigned respectively to the
Council, the Ephebi, and Foreigners.[1031] But the excavations in the
theatre afford grounds for inferring that there was a connexion between
certain blocks and certain tribes, and the thing is not improbable in
itself.[1032] The tribal divisions played a large part in the various
details of Attic administration, and an arrangement by tribes would have
greatly facilitated the process of distributing the enormous mass of
spectators among their proper seats.
[Illustration: FIG. 35.]
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