The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at AthensHaigh, A. E. (Arthur Elam)
History
The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at Athens
Haigh, A. E. (Arthur Elam)
Athens (Greece) -- Intellectual life; Greek drama -- History and criticism; Theater -- Greece -- Athens -- History -- To 500
Foremost among the persons who had seats in the front rows were the
priests and religious officers connected with the different divinities.
That they should be distinguished in this manner was only in keeping
with the essentially religious character of the ancient Greek drama. An
inscription referring to the theatre at the Peiraeeus, and belonging
to the third or fourth century B.C., mentions the priests specially
by name as the most conspicuous members of the class who had the
‘proedria’.[1021] The inscriptions upon the seats in the theatre at
Athens, which represent for the most part the arrangement that existed
during the reign of Hadrian, place the matter in a very clear light. They
enable us to determine the occupants of sixty out of sixty-seven seats in
the front row; and it is found that of these sixty persons no less than
fifty were priests, or ministers connected with religion. Similarly, in
the rows immediately behind the front row, a large number of places were
set apart for the different priests and priestesses.[1022] Such was the
arrangement in the time of Hadrian, and there can be little doubt that
it was much the same in its general character during the period of the
Athenian democracy.
Among state officials the nine archons and the ten generals had
distinguished places in the theatre. In Hadrian’s time the archons
occupied seats in the front row, and it is probable that this position
was assigned to them from the earliest period.[1023] The generals were
in some prominent part of the theatre, but the exact place is not known.
The snob in Theophrastus was always anxious to sit as near to them as
possible.[1024] Ambassadors from foreign states, as was previously
pointed out, were generally provided with front seats, on the motion
of some member of the Council. Demosthenes is taunted by Aeschines for
the excessive politeness which he showed to Philip’s ambassadors on
an occasion of this kind. The lessee of the theatre at the Peiraeeus,
as appears from an inscription still extant, was ordered to provide
the ambassadors from Colophon with reserved places at the Dionysia.
The Spartan ambassadors were sitting in ‘a most distinguished part of
the theatre’ when they considerately gave up a place to an old man
for whom no one else would make room.[1025] The judges of the various
contests sat together in a body, and would naturally be provided
with one of the best places in the theatre.[1026] The orphan sons of
men who had fallen in battle received from the state, in addition to
other honours, the distinction of ‘proedria’. The same privilege was
frequently conferred by decree upon great public benefactors, and was
generally made hereditary in the family, descending by succession to the
eldest male representative. An honour of this kind was bestowed upon
Demosthenes.[1027]
Public-domain text, read in full here on John Shaqi.
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