The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at AthensHaigh, A. E. (Arthur Elam)
History
The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at Athens
Haigh, A. E. (Arthur Elam)
Athens (Greece) -- Intellectual life; Greek drama -- History and criticism; Theater -- Greece -- Athens -- History -- To 500
The above conclusions are those of Petersen (Preisrichter der grossen
Dionysien). Mommsen (Bursian’s Jahresbericht, lii. pp. 354-8) raises some
objections. He suggests (1) that the plural ὑδρίαι is merely rhetorical,
and that there was only one urn for all the names, (2) that the selection
of a second list of judges _before_ the contest is not mentioned by
Lysias, and was probably a fiction of Plutarch’s. It may be replied that
Lysias had no occasion to refer to this preliminary ballot. He was not
giving an account of the entire system of judging, and therefore only
mentioned the points which enforced his argument. Still, it must be
confessed that the evidence about the judges is very fragmentary, and
that Petersen’s scheme depends largely on conjecture.
[130] Dem. Meid. § 17 ὀμνύουσι παρεστηκὼς τοῖς κριταῖς. Aristoph. Eccles.
1163 μὴ ’πιορκεῖν, ἀλλὰ κρίνειν τοὺς χοροὺς ὀρθῶς ἀεί.
[131] Special seats were assigned to the judges at Alexandria, and no
doubt the Attic custom was followed there: cp. Vitruv. vii. praef. § 5
cum secretae sedes iudicibus essent distributae.
[132] Aelian Var. Hist. ii. 13 καὶ προσέταττον τοῖς κριταῖς ἄνωθεν
Ἀριστοφάνην ἀλλὰ μὴ ἄλλον γράφειν. Lysias iv. § 3 ἔγραψε μὲν ταῦτα ἐς τὸ
γραμματεῖον.
[133] This follows from Lysias iv. § 3 ἐβουλόμην δ’ ἂν μὴ ἀπολαχεῖν αὐτὸν
κριτὴν Διονυσίοις, ἵν’ ὑμῖν φανερὸς ἐγένετο ἐμοὶ διηλλαγμένος, κρίνας τὴν
ἐμὴν φυλὴν νικᾶν. νῦν δὲ ἔγραψε μὲν ταῦτα εἰς τὸ γραμματεῖον, ἀπέλαχε δέ.
[134] Aristoph. Aves 445-7 ΧΟ. ὄμνυμ’ ἐπὶ τούτοις, πᾶσι νικᾶν τοῖς
κριταῖς | καὶ τοῖς θεαταῖς πᾶσιν. ΠΕ. ἔσται ταυταγί. | ΧΟ. εἰ δὲ
παραβαίην, ἑνὶ κριτῇ νικᾶν μόνον.
[135] Vita Aeschyli; Suidas s.v. Αἰσχύλος.
[136] See above, p. 28.
[137] The number of his plays is given as 123 by Suidas, and as 104 or
130 in the Life.
[138] Vita Eur.
[139] Args. to Eur. Alcestis and Medea.
[140] Aelian Var. Hist. ii. 8; Suidas s.v. Νικόμαχος.
[141] Arg. to Soph. Oed. Tyr.
[142] Lysias iv. § 3.
[143] Dem. Meid. §§ 5, 17, 65.
[144] Andocid. Alcibiad. § 20 ἀλλὰ τῶν κριτῶν οἱ μὲν φοβούμενοι οἱ δὲ
χαριζόμενοι νικᾶν ἔκριναν αὐτόν.
[145] Aul. Gell. N. A. 17. 4.
[146] Plut. Demosth. 859 D εὐημερῶν δὲ καὶ κατέχων τὸ θέατρον ἐνδείᾳ
παρασκευῆς καὶ χορηγίας κρατεῖσθαι.
[147] Id. Nicias, 524 D.
[148] Xen. Memor. iii. 4. 3.
[149] Isaeus v. § 36.
[150] Aeschin. Ctesiph. § 232.
[151] Aelian Var. Hist. ii. 13.
[152] Plato, Legg. 700 C-701 A. 659 A-C.
[153] [Cp. Butcher, Harvard Lectures, p. 173 ff.]
[154] Alciphron ii. 3; Plut. An seni &c. p. 785 B; Athen. p. 217 A
στεφανοῦται Ληναίοις; Aristid. vol. ii. p. 2 (Dindf.) τοῦτον στεφανοῦν
καὶ πρῶτον ἀναγορεύειν.
[155] Dem. Meid. § 5; Lysias xxi. § 2; Schol. Aeschin. Timarch. § 11;
Isaeus vii. § 40; 2nd Arg. to Dem. Meid. p. 510. The monuments of
Lysicrates and Thrasyllus, which were surmounted with tripods (Stuart and
Revett, Antiquities of Athens, vol. i. chap. iv. pt. 3, vol. ii. p. 31),
were in honour of victories with dithyrambic choruses; cp. C. I. A. ii.
1242, 1247.
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