The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at AthensHaigh, A. E. (Arthur Elam)
History
The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at Athens
Haigh, A. E. (Arthur Elam)
Athens (Greece) -- Intellectual life; Greek drama -- History and criticism; Theater -- Greece -- Athens -- History -- To 500
[156] Marmor Par. epp. 39, 43.
[157] Schol. Aristoph. Ran. 367 τὸν μισθὸν τῶν κωμῳδῶν ἐμείωσαν; Eccles.
102 τὸν μισθὸν τῶν ποιητῶν συνέτεμε; Hesych. s.v. μισθός· τὸ ἔπαθλον τῶν
κωμικῶν ... ἔμμισθοι δὲ πέντε ἦσαν. As the competitors in comedy were
five, this last passage proves that _all_ the competing poets received a
reward of money.
[158] Plut. X orat. 842 A.
[159] Aristoph. Ran. 367, and Schol. ad loc.
[160] Arg. Aristoph. Nub.
[161] Vit. Soph.; Aristid. vol. ii. p. 344 (Dindf.).
[162] C. I. A. ii. 971 a-e, iv. 971 f-h.
[163] Arg. Aristoph. Vesp. ἐνίκα πρῶτος Φιλωνίδης. Arg. Nub. ὅτε Κρατῖνος
μὲν ἐνίκα Πυτίνῃ, Ἀμειψίας δὲ Κόννῳ. Arg. Pax ἐνίκησε δὲ τῷ δράματι ὁ
ποιητὴς ... δεύτερος Ἀριστοφάνης Εἰρήνῃ.
[164] C. I. A. iv. 971 f.
[165] C. I. A. ii. 971 a-e, iv. 971 f-h. Hence Rose’s ingenious
emendation of the conclusion to the first Arg. to the Pax—τὸ δὲ δρᾶμα
ὑπεκρίνατο Ἀπολλόδωρος, ἡνίκα ἑρμῆν λοιοκρότης [ἐνίκα Ἕρμων ὁ ὑποκριτής
Rose]—must be regarded as very doubtful, as the Pax was produced at the
City Dionysia.
[166] C. I. A. ii. 975 a-e: see also note 6 below.
[167] C. I. A. ii. 972, col. ii. The mention of the victorious actor’s
name shows that the comic list in this inscription, like the tragic, must
refer to the Lenaea.
[168] [C. I. A. ii. 972, col. i, as dated by Capps (Amer. Journ. Arch.
xx. p. 74 ff.), who shows almost conclusive grounds for substituting this
date for the date 354 hitherto generally accepted, and is followed by
Wilhelm.]
[169] [Circ. B.C. 330, according to Capps, l.c. p. 84. The date depends
upon the conjectural restoration of some fragments of C. I. A. ii.
977, especially fragment u. If Wilhelm’s restoration of C. I. A. ii.
1289 is correct (Urkunden dramat. Aufführungen in Athen, pp. 149, 209
ff.) there is evidence of contests of comic actors in B.C. 307-6; and
the inscription 974 c, elucidated by Wilhelm, l.c., p. 43, shows that
there were contests in 313-312; but it is not certain to which festival
this inscription belongs. Wilhelm, l.c., p. 253, even infers, from a
restoration of C. I. A. ii. 977 l (i′ according to his numbering), that
these contests existed as early as the beginning of the fourth or end
of the fifth century: the restoration is highly probable, and if it is
correct, contests of comic actors can be traced back nearly as far as
contests of tragic actors; but again it is uncertain to which festival
the inscription refers, and it is going too far to use the combined
evidence of this inscription, and the Arg. to the Pax, as emended, to
prove the existence of contests at the City Dionysia in 421 B.C.]
[170] C. I. A. ii. 973.
[171] Dem. Fals. Leg. § 246.
[172] C. I. A. ii. 975 b, 972.
[173] Diod. Sic. xiii. 97.
[174] For the City Dionysia see above, pp. 18 and 24. For the Lenaea
there is no evidence, but the practice was probably much the same. See p.
26.
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