The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at AthensHaigh, A. E. (Arthur Elam)
History
The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at Athens
Haigh, A. E. (Arthur Elam)
Athens (Greece) -- Intellectual life; Greek drama -- History and criticism; Theater -- Greece -- Athens -- History -- To 500
The institution of the dramatic contests at the different Attic
festivals has now been described in detail. As regards the management
of the competition many points still remain to be considered, viz. the
selection of the judges, the mode of giving the verdict, the prizes for
poets and actors, and the public records of the results. First as to the
judges. The number of the judges in the comic contests was five.[128]
The number in the tragic contests was probably the same, but there is
no direct evidence upon the subject. The process of selection seems to
have been as follows.[129] Several days before the actual commencement
of the festival the Council, assisted by the choregi, elected by vote
a preliminary list of judges. A certain number of names were selected
from each of the ten tribes of Attica. The different choregi, as was
natural, endeavoured to get their own partisans upon the list. The names
of the persons chosen were then inscribed upon tablets, and the tablets
were placed in ten urns, each urn containing the names belonging to a
single tribe. The urns were then carefully locked up and sealed in the
presence of the prytanes and choregi, handed over to the custody of
the treasurers, and deposited in the Acropolis. The preliminary list
of judges was kept a secret from every one except the Council and the
choregi, in order that no improper influence might be brought to bear
upon them. The penalty for tampering with the urns was death. It is not
known from what class the nominees were selected, or whether any property
qualification was necessary. Obviously the judges in the dramatic and
dithyrambic contests had a very delicate office to perform. If their
verdict was to be of value, it was necessary that they should be men of
culture and discernment. It is most likely therefore that there was some
limitation upon the number of persons qualified to act in this capacity.
Public-domain text, read in full here on John Shaqi.
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