The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at AthensHaigh, A. E. (Arthur Elam)
History
The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at Athens
Haigh, A. E. (Arthur Elam)
Athens (Greece) -- Intellectual life; Greek drama -- History and criticism; Theater -- Greece -- Athens -- History -- To 500
The actors’ contests which we have hitherto been describing took place
at the performance of new tragedies and comedies, and existed side by
side with contests between poets and choregi. But there were other
occasions in which actors met in competition. The reproduction of old
plays generally took the form of contests between actors. These contests
were of two kinds. In the first kind each actor performed a different
play. At the same time the victory was decided, not by the merits of the
play, but by the skill of the actor. There are several references to
competitions of this sort. For instance, before the battle of Arginusae,
Thrasyllus is said to have dreamt that he was engaged in a contest in
the theatre at Athens, and that he and his fellow generals were acting
the Phoenissae of Euripides, while their opponents were acting the
Supplices.[173] The most frequent occasion for reproductions of old
plays in this manner must have been afforded by the Rural Dionysia
in the different townships of Attica. The dramatic performances at
these festivals were mostly confined, as we have already seen, to the
exhibition of old tragedies and comedies. The town offered a prize for
acting, and the leading Athenian actors came down with their companies
and took part in the contest, each performing a different play. But at
the great Athenian festivals, the Lenaea and the City Dionysia, there are
no traces of such competitions to be found in the records. They may have
been introduced in late times; but during the more flourishing period of
the drama, when the older poets were reproduced at these festivals, one
play seems to have been considered sufficient.[174]
The second kind of competition with old plays differed from the first
in this respect, that each actor performed the same play. For instance,
Licymnius, the tragic actor, is said to have defeated Critias and
Hippasus in the Propompi of Aeschylus. Andronicus, another tragic actor,
was successful in the Epigoni on one occasion; and it is implied that his
opponents acted the same play.[175] In contests of this description it is
not probable that the whole play was acted by each of the competitors,
but only special portions of it. The contest would be useful for purposes
of selection. When the custom arose of prefacing the performances of new
tragedies and new comedies by the reproduction of an ancient drama, it
would be necessary for the state to choose the actor who was to manage
the reproduction. Very probably the selection was made by a competition
of the kind we are describing, in which a portion of an old play was
performed by each of the candidates. The contests between comic actors at
the Chytri have already been referred to.[176] Most likely they were of
the same description.
§ 12. _Records of dramatic contests._
Public-domain text, read in full here on John Shaqi.
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