The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at AthensHaigh, A. E. (Arthur Elam)
History
The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at Athens
Haigh, A. E. (Arthur Elam)
Athens (Greece) -- Intellectual life; Greek drama -- History and criticism; Theater -- Greece -- Athens -- History -- To 500
When the preparations were all completed, a few days before the actual
festival there was a preliminary ceremony called the Proagon. It took
place in the Odeum, a sort of smaller theatre to the south of the
Acropolis, not far from the theatre of Dionysus. The Proagon was a
kind of show or spectacle, and served as an introduction to the actual
performances at the festival. Each of the tragic poets who were about
to compete in the approaching contest appeared upon the stage in the
presence of the people, accompanied by his choregus, his actors, and
the members of the chorus. All of them wore crowns upon their heads;
but the actors were without their masks and their stage dresses. As
they paraded upon the stage some announcement was made to the people,
of which the exact nature is not known. But it is very likely that this
occasion was taken for making known to the people the names of the poet
and his actors, together with the titles of the tragedies shortly to be
performed, and other information of a similar character. At the same
time the people would have an opportunity of becoming acquainted with
poets and actors who were making their first appearance. The splendour
of the dresses of choruses and choregi, upon which great sums of money
were spent, would make a spectacle of some magnificence, and appeal
to the popular taste. At the Proagon which followed shortly after the
death of Euripides, it is said that Sophocles appeared upon the stage
in a dark-coloured dress, and introduced his actors and chorus without
the usual crowns. It is nowhere definitely stated that the comic and
dithyrambic poets and choruses took part in the Proagon. But the whole
of our information about the ceremony is derived from one or two
brief and casual notices, in which very few details are given. It is
hardly probable that only tragedy was represented. The magnificence
of the spectacle would be very much increased by the large and
gorgeously-dressed choruses of boys and men.[265]
Public-domain text, read in full here on John Shaqi.
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