The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at AthensHaigh, A. E. (Arthur Elam)
History
The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at Athens
Haigh, A. E. (Arthur Elam)
Athens (Greece) -- Intellectual life; Greek drama -- History and criticism; Theater -- Greece -- Athens -- History -- To 500
At the end of each competition the judges wrote their verdicts upon
tablets. Five of these tablets were drawn by lot, and decided the result.
The names of the victorious poet and choregus were then proclaimed by
the herald, and they were crowned with a chaplet of ivy in the presence
of the spectators. At the conclusion of the festival the successful
poet celebrated his victory by a solemn sacrifice, followed by a grand
banquet, at which most of his friends were present. The members of the
chorus were also there, and probably the choregus and the actors. The
scene of Plato’s Symposium is laid in Agathon’s house the day after the
banquet in honour of his first tragic victory. Socrates had avoided the
banquet itself, because of the crush of people, but came next day to a
more private gathering.[275] A victory, especially at the City Dionysia,
was regarded as a splendid distinction. On one occasion Ion of Chios,
after winning the first prize in both the tragic and the dithyrambic
contests at the same festival, showed the extent of his joy by making a
present of a jar of Chian wine to every Athenian citizen.[276]
The next day but one after the conclusion of the City Dionysia a special
assembly of the people was convened in the theatre of Dionysus to discuss
matters connected with the festival. No doubt a similar assembly was held
after the Lenaea, though the fact is nowhere actually stated. At this
assembly the conduct of the archon, who had had the management of the
festival which was just over, was taken into consideration. Any neglect
of his duties, or any unfairness in the choice of poets and actors, would
be punished. At the same time crowns and other distinctions were voted
in honour of officials who had performed their duties in connexion with
the festival satisfactorily. It has been pointed out that the judges
in the dramatic and dithyrambic contests were liable to prosecution
and punishment if they were suspected of dishonesty in their verdicts.
Probably such charges were brought forward and decided at this assembly
in the theatre. Then came the hearing of complaints as to any violation
of the sanctity of the festival.[277] The aggrieved person stated his
charges before the assembled people: the defendant made his reply: the
people then proceeded to vote. If they acquitted the defendant there was
an end of the matter. But if they voted against him the prosecutor then
carried the case before the ordinary law-courts, where, of course, the
previous verdict of the people weighed very much in his favour.[278]
§ 7. _Reproduction of Old Plays._
Public-domain text, read in full here on John Shaqi.
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