The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at AthensHaigh, A. E. (Arthur Elam)
History
The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at Athens
Haigh, A. E. (Arthur Elam)
Athens (Greece) -- Intellectual life; Greek drama -- History and criticism; Theater -- Greece -- Athens -- History -- To 500
The interior of the auditorium consisted of a series of stone seats
rising tier above tier in a gentle slope from the boundary of the
orchestra to the outside extremities of the building. Immediately under
the cliff of the Acropolis the seats were carved out of the living
rock. With this exception they were made of Peiraic limestone. In some
of the upper portions of the theatre they were fixed upon conglomerate
foundations. But in most parts they were placed directly upon the bare
earth, and were therefore easily capable of being removed. For this
reason the greater number of them have disappeared, having been taken
away during the Middle Ages for building purposes. All that remain are
from twenty to thirty rows in the bottom of the theatre, and portions of
a few rows at the top. From these, however, it is possible to obtain a
clear conception of the style and arrangement of the auditorium. In order
to make the following description more intelligible, an illustration
is here inserted, consisting of a restoration of the extremity of the
eastern wing (Fig. 4). In this illustration _a_ is the orchestra, _b_ the
eastern entrance into the orchestra, _c_ the southern boundary wall of
the east wing of the auditorium.[338]
[Illustration: FIG. 4.]
To proceed with the description of the seats. The lowest step of the
auditorium rose about ten inches above the level of the orchestra, and
then sloped gently upward towards the front row of seats, where it
reached a height of fourteen inches. It was built of large slabs of
stone, and formed a sort of passage between the orchestra and the seats.
The curve of the seats did not coincide exactly with the curve of the
orchestra, but was drawn from a centre rather more to the south, and
receded slightly on the two wings. As a consequence the passage was wider
at the sides than in the centre, the width at the sides being about eight
feet, the width at the centre only four. The same variety of curve is
found in the theatre at the Peiraeeus; and Dörpfeld supposes that it was
adopted in order to give more room at the entrances of the passage, where
the press of people would be the greatest.[339] The first row of seats
was far superior to the others, and consisted of marble thrones with
backs to them. Each throne was about 25 inches wide and 23 inches deep.
In the centre was the throne of the priest of Dionysus, slightly larger
than the others, and elaborately and beautifully carved. This throne,
unlike the rest, was provided with a canopy resting on wooden posts,
the holes for which are still visible. Many of the thrones, including
that of the chief priest, had receptacles in front of them in which
footstools might be placed. The thrones were originally sixty-seven in
number, but only sixty of them are now preserved. Fourteen of these were
no longer standing in their proper position at the time of the first
excavations. Some of them had been designedly removed in Roman times,
Public-domain text, read in full here on John Shaqi.
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