The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at Athens — John Shaqi
The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at AthensHaigh, A. E. (Arthur Elam)
History
The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at Athens
Haigh, A. E. (Arthur Elam)
Athens (Greece) -- Intellectual life; Greek drama -- History and criticism; Theater -- Greece -- Athens -- History -- To 500
It will be seen that many of the authorities mentioned in the preface to
the first edition have been superseded, at any rate in part, by these
more recent investigations. But I have thought it best to reprint the
earlier list, since there are few of the old authorities which are not
still worth consulting on some point or another.
I gladly take this opportunity of expressing my obligations to various
friends for the corrections and suggestions which they have sent to me.
I have derived many valuable hints from the reviews and notices of the
first edition, and especially from the very friendly and useful criticism
by Mr. L. C. Purser in _Hermathena_, and from that by Mr. H. Richards
in the _Academy_. I am greatly indebted to Professor E. Gardner for the
photograph of the Epidaurian theatre which is reproduced in Fig. 7; and
to the Council of the Hellenic Society for their permission to copy from
the _Hellenic Journal_ the illustration of a satyric chorus. I have to
thank the Provost of Oriel, Professor P. Gardner, Mr. F. Madan, Rev.
G. C. Richards, and other friends for their help and advice in various
matters; and Dr. Albert Müller, Professor White, and Mr. Capps for their
kindness in sending me writings of theirs on the subject of the Greek
stage which have proved of very great service.
OXFORD, _July, 1898_.
PREFACE TO THE THIRD EDITION
After the lamented death of Mr. Haigh, the Delegates of the Clarendon
Press entrusted me with the revision of his book for a third edition,
and his relatives kindly supplied me with the materials which he had
collected for a revision. I have tried to follow as far as possible such
indications as I could find of his own intentions in regard to the new
edition. He had re-written parts of Chapters I and II, and his review
of Puchstein’s _Die griechische Bühne_ showed sufficiently what view he
took of that work. He also left careful analyses of many papers which
had appeared in periodicals since the second edition, with occasional
criticisms. It is clear from the manner in which the portions of the
book referred to were re-written that he intended to cut out many of the
repetitions, both of matter and expression, which had been allowed to
remain in the second edition. I have therefore felt at liberty to follow
him in this respect; but the space gained has been almost all filled
by the new matter which it has been necessary to insert, either at the
suggestion of his own notes, or in consequence of important writings on
the subject since the last edition.
Public-domain text, read in full here on John Shaqi.
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