"Oh, nothing connected. She called him every kind of a monster, accused
him of every crime from murder to--"
"Murder!" The banker started.
"He had made a long fight to beat her down, and she was unstrung. She
seemed to have a queer physical aversion to him."
"Humph! She's got nobly over THAT."
"I've told you this because you seemed to think she's to blame, when it
is all Mr. Hammon's doing."
"It's a peculiar situation--very. You've interested me. But the man
himself is peculiar, extraordinary. You can't draw a proper line on his
conduct without knowing the circumstances of his home life, and, in
fact, his whole mental make-up. Sometime I'll tell you his story; I
think it would interest you. In a way I don't blame him for seeking
amusement and happiness where he can find it, and yet--I'm afraid of
the result. This supper means more than you can understand or than I
can explain."
"The city is full of Samsons, and most of them have their Delilahs."
Merkle agreed. "These men put Hammon where he is. I wonder if they will
let him stay there. It depends upon that girl yonder." He turned to
answer a question from Hannibal Wharton, and Lorelei gave her attention
to the part of the entertainment which was beginning on the stage. Turn
after turn appeared; black-faced comedians, feature acts from
vaudeville and from the reigning successes, high-priced singers,
dancers, monologists followed each other. Occasionally they were
applauded, but more frequently their efforts to amuse were lost in the
self-made merriment of the diners. Now and then an actor was bombarded
with jests or openly guyed. Music and wine flowed as steadily as the
crystal stream of the fountain; faces became flushed; glasses rang. The
women chattered; the men raised loud voices; the birds fluttered and
the peacocks shrieked. It all blended in a blood-stirring, Bacchanalian
joviality. Only now and then the frolic threatened to become a carouse,
and the revel bordered upon a debauch.
Of a sudden the clamor was silenced, and indifference gave place to
curiosity, for the music had begun the introduction to one of Adoree
Demorest's songs.
"Her rubies are the finest in the world." "Too strong for Paris, so she
came to New York." "Anything goes here if it's bad enough," came from
various quarters.
Public-domain text, read in full here on John Shaqi.
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