"She'd be pleased to read also that you came late, but highly
intoxicated."
"Ah! Salvation Nell." Bob took no offense. "If the hour was late she'd
know that my intoxication followed as a matter of course. It always
does, just as the dew succeeds the sunset, as the track follows the
wheelbarrow, as the cracker pursues the cheese. I am a derivative of
alcohol, the one and infallible argument against temperance, Miss
Knight. In me you behold the shining example of all that puts the
reformer to rout and gladdens the heart of the cafe-keeper."
"You talk as if you were always drunk."
"Oh--not always. By day I am frequently sober, but at such times I am
fit company for neither man nor beast; I am harsh and unsympathetic; I
scheme and I connive. With nightfall, however, there comes a
metamorphosis. Ah! Believe ME! When the Clover Club is strained and
descends like the gentle dew of heaven, when the Bronx is mixed and the
Martini shimmers in the first rays of the electric light, then I
humanize and harmonize, For me gin is a tonic, rum a restorative,
vermuth a balm. Once I am stocked up with ales, wines, liquors, and
cigars, I become attuned to the nobler sentiments of life. I aspire. I
make friends with lonely derelicts whose digestions have foundered on
seas of vichy and buttermilk, and I show them the joys of
alcoholism--without cost. We share each other's pleasures and
perplexities, at my expense. They are my brothers. I am optimistic; I
laugh; I play cards for money; I turkey-trot. I become a living,
palpitating influence for good, spreading happiness and prosperity in
my wake."
"Do you consider yourself in such a condition now?" queried Lorelei,
who had been vaguely amused at this Rubaiyat.
"I am, and, since it is long past the closing hour of one and the
tango parlors are dark, suppose we blow this 'Who's Who in Pittsburg'
and taxi-cab it out to a roadhouse where the bass fiddle is still
inhabited and the second generation is trotting to the 'Robert E. Lee'?"
Lorelei shook her head with a smile.
"Don't you dance?"
"Doesn't everybody dance?"
"Then how did you break your leg?"
"I don't care to go."
"Strange!" Mr. Wharton helped himself to a goblet of wine, appearing to
heap the liquor above the edge of the glass. "Now, if I were sober I
could understand how you might prefer these 'pappy guys' to me, for
nobody likes me then, but I'm agreeably pickled. I'm just like
everybody you'll be likely to meet at this time of night. Merkle won't
take you anywhere, for he's full of distilled water and has a
directors' meeting at ten. I overflow with spirits and have a noontide
engagement with an Ostermoor."
"Why don't you ask Miss Demorest? She came with you?"
Wharton sighed hopelessly. "Something queer about that Jane. D'you know
what made us so late? She went to mass on the way down."
"Mass? At that hour?"
"It was a special midnight service conducted for actors. I sat in the
taxi and waited. It did me a lot of good."
Public-domain text, read in full here on John Shaqi.
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