“She’s very beautiful,” I produced with an effort; while I reflected that though it was apparently true that Mark Ambient was mismated it was also perceptible that his sister was perfidious. She assured me her brother and his wife had no other difference but this—one that she thought his writings immoral and his influence pernicious. It was a fixed idea; she was afraid of these things for the child. I answered that it was in all conscience enough, the trifle of a woman’s regarding her husband’s mind as a well of corruption, and she seemed much struck with the novelty of my remark. “But there hasn’t been any of the sort of trouble that there so often is among married people,” she said. “I suppose you can judge for yourself that Beatrice isn’t at all—well, whatever they call it when a woman kicks over! And poor Mark doesn’t make love to other people either. You might think he would, but I assure you he doesn’t. All the same of course, from her point of view, you know, she has a dread of my brother’s influence on the child on the formation of his character, his ‘ideals,’ poor little brat, his principles. It’s as if it were a subtle poison or a contagion—something that would rub off on his tender sensibility when his father kisses him or holds him on his knee. If she could she’d prevent Mark from even so much as touching him. Every one knows it—visitors see it for themselves; so there’s no harm in my telling you. Isn’t it excessively odd? It comes from Beatrice’s being so religious and so tremendously moral—so _à cheval_ on fifty thousand _riguardi_. And then of course we mustn’t forget,” my companion added, a little unexpectedly, to this polyglot proposition, “that some of Mark’s ideas are—well, really—rather impossible, don’t you know?”