“Yes, my only child. He’s always in his mother’s pocket. She coddles
him too much.” It came back to me afterwards too—the sound of these
critical words. They weren’t petulant; they expressed rather a sudden
coldness, a mechanical submission. We went a few steps further, and
then he stopped short and called the boy, beckoning to him repeatedly.
“Dolcino, come and see your daddy!” There was something in the way he
stood still and waited that made me think he did it for a purpose. Mrs.
Ambient had her arm round the child’s waist, and he was leaning against
her knee; but though he moved at his father’s call she gave no sign of
releasing him. A lady, apparently a neighbour, was seated near her, and
before them was a garden-table on which a tea-service had been placed.
Mark Ambient called again, and Dolcino struggled in the maternal embrace;
but, too tightly held, he after two or three fruitless efforts jerked
about and buried his head deep in his mother’s lap. There was a certain
awkwardness in the scene; I thought it odd Mrs. Ambient should pay so
little attention to her husband. But I wouldn’t for the world have
betrayed my thought, and, to conceal it, I began loudly to rejoice in the
prospect of our having tea in the garden. “Ah she won’t let him come!”
said my host with a sigh; and we went our way till we reached the two
ladies. He mentioned my name to his wife, and I noticed that he
addressed her as “My dear,” very genially, without a trace of resentment
at her detention of the child. The quickness of the transition made me
vaguely ask myself if he were perchance henpecked—a shocking surmise
which I instantly dismissed. Mrs. Ambient was quite such a wife as I
should have expected him to have; slim and fair, with a long neck and
pretty eyes and an air of good breeding. She shone with a certain
coldness and practised in intercourse a certain bland detachment, but she
was clothed in gentleness as in one of those vaporous redundant scarves
that muffle the heroines of Gainsborough and Romney. She had also a
vague air of race, justified by my afterwards learning that she was
“connected with the aristocracy.” I have seen poets married to women of
whom it was difficult to conceive that they should gratify the poetic
fancy—women with dull faces and glutinous minds, who were none the less,
however, excellent wives. But there was no obvious disparity in Mark
Ambient’s union. My hostess—so far as she could be called so—delicate
and quiet, in a white dress, with her beautiful child at her side, was
worthy of the author of a work so distinguished as “Beltraffio.” Round
her neck she wore a black velvet ribbon, of which the long ends, tied
behind, hung down her back, and to which, in front, was attached a
miniature portrait of her little boy. Her smooth shining hair was
confined in a net. She gave me an adequate greeting, and Dolcino—I
thought this small name of endearment delightful—took advantage of her
Public-domain text, read in full here on John Shaqi.
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