“Oh yes, I’ve seen some of them,” she dropped, looking away, very far
from me, rather as if such a vision were before her at the moment. It
seemed to indicate, her tone, that the sight was scarcely edifying, and I
guessed her quickly enough to be in no great intellectual sympathy with
the author of “Beltraffio.” I thought the fact strange, but somehow, in
the glow of my own enthusiasm, didn’t think it important it only made me
wish rather to emphasise that homage.
“For me, you know,” I returned—doubtless with a due _suffisance_—“he’s
quite the greatest of living writers.”
“Of course I can’t judge. Of course he’s very clever,” she said with a
patient cheer.
“He’s nothing less than supreme, Mrs. Ambient! There are pages in each
of his books of a perfection classing them with the greatest things.
Accordingly for me to see him in this familiar way, in his habit as he
lives, and apparently to find the man as delightful as the artist—well, I
can’t tell you how much too good to be true it seems and how great a
privilege I think it.” I knew I was gushing, but I couldn’t help it, and
what I said was a good deal less than what I felt. I was by no means
sure I should dare to say even so much as this to the master himself, and
there was a kind of rapture in speaking it out to his wife which was not
affected by the fact that, as a wife, she appeared peculiar. She
listened to me with her face grave again and her lips a little
compressed, listened as if in no doubt, of course, that her husband was
remarkable, but as if at the same time she had heard it frequently enough
and couldn’t treat it as stirring news. There was even in her manner a
suggestion that I was so young as to expose myself to being called
forward—an imputation and a word I had always loathed; as well as a
hinted reminder that people usually got over their early extravagance.
“I assure you that for me this is a red-letter day,” I added.
She didn’t take this up, but after a pause, looking round her, said
abruptly and a trifle dryly: “We’re very much afraid about the fruit this
year.”
My eyes wandered to the mossy mottled garden-walls, where plum-trees and
pears, flattened and fastened upon the rusty bricks, looked like
crucified figures with many arms. “Doesn’t it promise well?”
“No, the trees look very dull. We had such late frosts.”
Then there was another pause. She addressed her attention to the
opposite end of the grounds, kept it for her husband’s return with the
child. “Is Mr. Ambient fond of gardening?” it occurred to me to ask,
irresistibly impelled as I felt myself, moreover, to bring the
conversation constantly back to him.
“He’s very fond of plums,” said his wife.
“Ah well, then, I hope your crop will be better than you fear. It’s a
lovely old place,” I continued. “The whole impression’s that of certain
places he has described. Your house is like one of his pictures.”
Public-domain text, read in full here on John Shaqi.
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