The Autobiography of a Play: Papers on Play-Making, IIHoward, Bronson
General
The Autobiography of a Play: Papers on Play-Making, II
Howard, Bronson
Drama -- Technique; Howard, Bronson, 1842-1908. Banker's daughter
Acts fourth and fifth. Two years later Lilian is at the home of her
father in New York. Her husband has disappeared. His name was on the
passenger list of a wrecked steamer; and no other word of him or of the
child has been heard. If he had left the little girl in the care of
others, it is unknown to whom or where. So Lilian is a widow and
childless. She is fading, day by day, and is hardly expected to live.
Her mind, tortured by the suspense, which, worse than certainty, is
gradually yielding to hallucinations which keep her little one ever
present to her fancy. Harold Routledge was wounded seriously in the
duel, but not killed; he is near Lilian; seeing her every day; but he is
her friend, rather than her lover, now; she talks with him of her child,
and he feels how utterly hopeless his own passion is in the presence of
an all-absorbing mother's love. It is discovered that the child is
living peacefully among kind guardians in a French convent; and
Routledge determines to cross the ocean with the necessary evidence and
bring the little one back to its mother. He breaks the news to Lilian
tenderly and gently. A gleam of joy illuminates her face for the first
time since the terrible night, two years before, and Routledge feels
that the only barrier to his own happiness has been removed. But the
sudden return and reappearance of the husband falls like a stroke of
fate upon both. As the curtain descends on the fourth act, Lilian lies
fainting on the floor, with Natalie at her side, while the two men stand
face to face above the unconscious woman whom they both love. Three
lives ruined--because Lilian's father, having lost his wealth, in his
old age, dared not, as he himself expressed it, leave a tenderly
nurtured daughter to a merciless world. The world is merciless, perhaps,
but it is not so utterly and hopelessly merciless to any man or woman as
one's heart may be.
Lilian comes back to consciousness on her deathbed. Her child had
returned to her only as a messenger from heaven, summoning her home. But
the message had been whispered in unconscious ears; for she had not seen
the little girl, who was removed before the mother had recovered from
her swoon. They dare not tell her now that Natalie is on this side of
the ocean and asleep in the next room. Mr. Strebelow had heard in a
distant land, travelling to distract his mind from the great sorrow of
his own life, of Lilian's condition, and he hastened back to undo the
wrong he felt that he had committed. She asks to see him; she kisses his
hand with tenderness and gratitude, when he tells her that Natalie shall
be her own hereafter; his manly tears are tears of repentance, mingled
with a now generous love. The stroke of death comes suddenly; they have
only a moment's time to arouse the little one from its sleep; but they
are not too late, and Lilian dies at last, a smile of perfect happiness
on her face, with her child in her arms.
Public-domain text, read in full here on John Shaqi.
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