The Autobiography of a Play: Papers on Play-Making, IIHoward, Bronson
General
The Autobiography of a Play: Papers on Play-Making, II
Howard, Bronson
Drama -- Technique; Howard, Bronson, 1842-1908. Banker's daughter
life when years have exhausted his strength. She knows that she will be
the greatest burden that will fall upon him; she remembers her dead
mother's love for them both; and she sacrifices her own heart. Mr.
Strebelow is a man of about forty years, of unquestioned honor, of noble
personal character in every way. Lilian had loved him, indeed, when she
was a little child, and she feels that she can at least respect and
reverence him as her husband. Mr. Strebelow marries her without knowing
that she does not love him; much less, that she loves another.
Act second--Paris. Lilian has been married five years, and is residing
with her husband in the French capital. As the curtain rises, Lilian is
teaching her little child, Natalie, her alphabet. All the warm affection
of a woman's nature, suppressed and thrown back upon her own heart, has
concentrated itself upon this child. Lilian has been a good wife, and
she does reverence her husband as she expected to do. He is a kind,
generous and noble man. But she does not love him as a wife. Mr.
Strebelow now enters, and, after a little domestic scene, the French
nurse is instructed to dress the child for a walk with its mother.
Strebelow then tells Lilian that he has just met an old friend of hers
and of himself--the American artist, Mr. Harold Routledge, passing thru
Paris on his way from his studio in Rome. He has insisted on a visit
from Mr. Routledge, and the two parted lovers are brought face to face
by the husband. They are afterwards left alone together. Routledge has
lived a solitary life, nursing his feelings toward a woman who had
heartlessly cast him off, as he thinks, to marry a man merely for his
wealth. He is bitter and cruel. But the cruelty to a woman which is born
of love for her has a wonderful, an almost irresistible fascination for
the female heart. Under the spell of this fascination, Lilian's old love
reasserts its authority against that of his will. She forgets everything
except the moment when her lover last parted from her. She is again the
wayward girl that waited for his return; he has returned!--and she does
what she would have done five years before; she turns, passionately, to
throw herself into his arms. At this moment, her little child, Natalie,
runs in. Lilian is a mother again, and a wife. She falls to her knees
and embraces her child at the very feet of her former lover. Harold
Routledge bows his head reverently, and leaves them together.
Public-domain text, read in full here on John Shaqi.
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