Though I was read in silence at the breakfast table and not passed on to the Archdeacon, I lay dormant in Mrs. Selldon's mind all day, and came to her aid that night when she was at her wits' end for something to talk about. Mrs. Selldon, though a most worthy and estimable person, was of a phlegmatic temperament; her sympathies were not easily aroused, her mind was lazy and torpid, in conversation she was unutterably dull. There were times when she was painfully conscious of this, and would have given much for the ceaseless flow of words which fell from the lips of her friend Mrs. Milton-Cleave. And that evening after my arrival chanced to be one of these occasions, for there was a dinner-party at the Archdeaconry, given in honour of a well-known author who was spending a few days in the neighbourhood. "I wish you could have Mr. Shrewsbury at your end of the table, Thomas," Mrs. Selldon had remarked to her husband with a sigh, as she was arranging the guests on paper that afternoon. "Oh, he must certainly take you in, my dear," said the Archdeacon. "And he seems a very clever, well-read man, I am sure you will find him easy to talk to." Poor Mrs. Selldon thought that she would rather have had some one who was neither clever nor well-read. But there was no help for her, and, whether she would or not, she had to go in to dinner with the literary lion. Mr. Mark Shrewsbury was a novelist of great ability. Some twenty years before, he had been called to the bar, and, conscious of real talent, had been greatly embittered by the impossibility of getting on in his profession. At length, in disgust, he gave up all hopes of success and devoted himself instead to literature. In this field he won the recognition for which he craved; his books were read everywhere, his name became famous, his income steadily increased, and he had the pleasant consciousness that he had found his vocation. Still, in spite of his success, he could not forget the bitter years of failure and disappointment which had gone before, and though his novels were full of genius they were pervaded by an undertone of sarcasm, so that people after reading them were more ready than before to take cynical views of life. He was one of those men whose quiet impassive faces reveal scarcely anything of their character. He was neither tall nor short, neither dark nor fair, neither handsome nor the reverse; in fact his personality was not in the least impressive; while, like most true artists, he observed all things so quietly that you rarely discovered that he was observing at all. "Dear me!" people would say, "Is Mark Shrewsbury really here? Which is he? I don't see any one at all like my idea of a novelist." "There he is--that man in spectacles," would be the reply. And really the spectacles were the only noteworthy thing about him.