The Autobiography of Mark Rutherford, Edited by his friend Reuben ShapcottWhite, William Hale
General
The Autobiography of Mark Rutherford, Edited by his friend Reuben Shapcott
White, William Hale
Religious fiction
“Ah, Mary, there is no sea front here, and no garden.”
I took up my hat and said I must go. Both pressed me to stop, but I
declined. Mardon urged me again, and at last said—
“I believe you’ve never once heard Mary sing.”
Mary protested, and pleaded that as they had no piano, Mr. Rutherford
would not care for her poor voice without any accompaniment. But I, too,
protested that I should, and she got out the “Messiah.” Her father took
a tuning-fork out of his pocket, and having struck it, Mary rose and
began, “He was despised.” Her voice was not powerful, but it was pure
and clear, and she sang with that perfect taste which is begotten solely
of a desire to honour the Master. The song always had a profound charm
for me. Partly this was due to association. The words and tones, which
have been used to embody their emotions by those whom we have loved, are
doubly expressive when we use them to embody our own. The song is potent
too, because with utmost musical tenderness and strength it reveals the
secret of the influence of the story of Jesus. Nobody would be bold
enough to cry, _That too is my case_, and yet the poorest and the
humblest soul has a right to the consolation that Jesus was a man of
sorrows and acquainted with grief.
For some reason or the other, or for many reasons, Mary’s voice wound
itself into the very centre of my existence. I seemed to be listening to
the tragedy of all human worth and genius. The ball rose in my throat,
the tears mounted to my eyes, and I had to suppress myself rigidly.
Presently she ceased. There was silence for a moment. I looked round,
and saw that Mardon’s face was on the table, buried in his hands. I felt
that I had better go, for the presence of a stranger, when the heart is
deeply stirred, is an intrusion. I noiselessly left the room, and Mary
followed. When we got to the door she said: “I forgot that mother used
to sing that song. I ought to have known better.” Her own eyes were
full; I thought the pressure of her hand as she bade me good-bye was a
little firmer than usual, and as we parted an over-mastering impulse
seized me. I lifted her hand to my lips; without giving her time to
withdraw it, I gave it one burning kiss, and passed out into the street.
It was pouring with rain, and I had neither overcoat nor umbrella, but I
heeded not the heavens, and not till I got home to my own fireless, dark,
solitary lodgings, did I become aware of any contrast between the sphere
into which I had been exalted and the earthly commonplace world by which
I was surrounded.
CHAPTER VII
EMANCIPATION
Public-domain text, read in full here on John Shaqi.
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