—You don’t know what I mean by the _green state_? Well, then, I will
tell you. Certain things are good for nothing until they have been kept
a long while; and some are good for nothing until they have been long
kept and _used_. Of the first, wine is the illustrious and immortal
example. Of those which must be kept and used I will name
three,—meerschaum pipes, violins, and poems. The meerschaum is but a
poor affair until it has burned a thousand offerings to the
cloud-compelling deities. It comes to us without complexion or
flavor,—born of the sea-foam, like Aphrodite, but colorless as _pallida
Mors_ herself. The fire is lighted in its central shrine, and gradually
the juices which the broad leaves of the Great Vegetable had sucked up
from an acre and curdled into a drachm are diffused through its thirsting
pores. First a discoloration, then a stain, and at last a rich, glowing,
umber tint spreading over the whole surface. Nature true to her old
brown autumnal hue, you see,—as true in the fire of the meerschaum as in
the sunshine of October! And then the cumulative wealth of its fragrant
reminiscences! he who inhales its vapors takes a thousand whiffs in a
single breath; and one cannot touch it without awakening the old joys
that hang around it as the smell of flowers clings to the dresses of the
daughters of the house of Farina!
[Don’t think I use a meerschaum myself, for _I do not_, though I have
owned a calumet since my childhood, which from a naked Pict (of the
Mohawk species) my grandsire won, together with a tomahawk and beaded
knife-sheath; paying for the lot with a bullet-mark on his right check.
On the maternal side I inherit the loveliest silver-mounted
tobacco-stopper you ever saw. It is a little box-wood Triton, carved
with charming liveliness and truth; I have often compared it to a figure
in Raphael’s “Triumph of Galatea.” It came to me in an ancient shagreen
case,—how old it is I do not know,—but it must have been made since Sir
Walter Raleigh’s time. If you are curious, you shall see it any day.
Neither will I pretend that I am so unused to the more perishable smoking
contrivance that a few whiffs would make me feel as if I lay in a
ground-swell on the Bay of Biscay. I am not unacquainted with that
fusiform, spiral-wound bundle of chopped stems and miscellaneous
incombustibles, the _cigar_, so called, of the shops,—which to “draw”
asks the suction-power of a nursling infant Hercules, and to relish, the
leathery palate of an old Silenus. I do not advise you, young man, even
if my illustration strike your fancy, to consecrate the flower of your
life to painting the bowl of a pipe, for, let me assure you, the stain of
a reverie-breeding narcotic may strike deeper than you think for. I have
seen the green leaf of early promise grow brown before its time under
such Nicotian regimen, and thought the umbered meerschaum was dearly
bought at the cost of a brain enfeebled and a will enslaved.]
Public-domain text, read in full here on John Shaqi.
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