The Automaton Ear, and Other Sketches — John Shaqi
The Automaton Ear, and Other SketchesMcLandburgh, Florence
Science
The Automaton Ear, and Other Sketches
McLandburgh, Florence
American fiction -- 19th century; Short stories, American
I gave her a brush, which fortunately one day I had discovered
lying in the vestibule, and left her in the church to dust, while I went
up in the tower to prepare and remove from sight all the tools which
were scattered about. I put them in a recess and screened it from view
by a map of the Holy Land. Then I took my instrument and carefully
adjusted it, putting on its utmost power.
In about an hour I went down and motioned to Mother Flinse that I wanted
her up stairs. She came directly after me without hesitation, and I felt
greatly relieved, for I saw that I would likely have no trouble with the
old woman. When we got into the tower she pointed down to the trees and
then upward, meaning, I presume, that it was high. I nodded, and taking
the instrument placed my ear to it for a moment. A loud blast of music,
like a dozen bands playing in concert, almost stunned me. She watched me
very attentively, but when I made signs for her to come and try she drew
back. I held up the instrument and went through all manner of motions
indicating that it would not hurt her, but she only shook her head. I
persevered in my endeavor to coax her until she seemed to gain courage
and walked up within a few feet of me, then suddenly stopped and
stretched out her hands for the instrument. As she did not seem afraid,
provided she had it herself, I saw that she took firm hold.
In my impatience to know the result of this experiment, I was obliged to
repeat my signs again and again before I could prevail upon her to raise
it to her ear. Then breathlessly I watched her face, a face I thought
which looked as if it might belong to some mummy that had been withering
for a thousand years. Suddenly it was convulsed as if by a galvanic
shock, then the shriveled features seemed to dilate, and a great light
flashed through them, transforming them almost into the radiance of
youth; a strange light as of some seraph had taken possession of the
wrinkled old frame and looked out at the gray eyes, making them shine
with unnatural beauty. No wonder the dumb countenance reflected a
brightness inexpressible, for the Spirit of Sound had just alighted with
silvery wings upon a silence of seventy years.
A heavy weight fell unconsciously from my breast while I stood almost
awed before this face, which was transfigured, as if it might have
caught a glimmer of that mystical morn when, in a moment, in the
twinkling of an eye, we shall all be changed.
My instrument had stood the test; it was proved forever. I could no
longer cherish any doubts of its reality, and an indescribable peace
came into my soul, like a sudden awakening from some frightful dream. I
had not noticed the flight of time. A pale shadow hung already over the
trees—yes, and under them on the slime-covered stones. Ay! and a heavier
shadow than the coming night was even then gathering unseen its rayless
folds. The drab sky had blanched and broken, and the sinking sun poured
a fading light through its ragged fissures.
Public-domain text, read in full here on John Shaqi.
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