The Automaton Ear, and Other SketchesMcLandburgh, Florence
Science
The Automaton Ear, and Other Sketches
McLandburgh, Florence
American fiction -- 19th century; Short stories, American
“As a particle of the atmosphere is never lost, so sound is never
lost. A strain of music or a simple tone will vibrate in the air
forever and ever, decreasing according to a fixed ratio. The diffusion
of the agitation extends in all directions, like the waves in a pool,
but the ear is unable to detect it beyond a certain point. It is well
known that some individuals can distinguish sounds which to others
under precisely similar circumstances are wholly lost. Thus the fault
is not in the sound itself, but in our organ of hearing, and a tone
once in existence is always in existence.”
This was nothing new to me. I had read it before, though I had never
thought of it particularly; but while I listened to the robin, it seemed
singular to know that all the sounds ever uttered, ever born, were
floating in the air _now_—all music, every tone, every bird-song—and we,
alas! could not hear them.
Suddenly a strange idea shot through my brain—Why not? Ay, _why not
hear_? Men had constructed instruments which could magnify to the eye
and—was it possible?—Why not?
I looked up and down the river, but saw neither it, nor the sky, nor the
moss that I touched. Did the woodpecker still tap secreted among the
leaves, and the robin sing, and the hum of insects run along the bank as
before? I can not recollect, I can not recollect anything, only Mother
Flinse, the deaf and dumb old crone that occasionally came to beg, and
sell nuts to the students, was standing in the gateway. I nodded to her
as I passed, and walked up her long, slim shadow that lay on the path.
It was a strange idea that had come so suddenly into my head and
startled me. I hardly dared to think of it, but I could think of nothing
else. It could not be possible, and yet—why not?
Over and over in the restless hours of the night I asked myself, I said
aloud, Why not? Then I laughed at my folly, and wondered what I was
thinking of and tried to sleep—but if it _could_ be done?
The idea clung to me. It forced itself up in class hours and made
confusion in the lessons. Some said the professor was ill those two or
three days before the vacation; perhaps I was. I scarcely slept; only
the one thought grew stronger—Men had done more wonderful things; it
certainly was possible, and I would accomplish this grand invention. I
would construct the king of all instruments—I would construct an
instrument which could catch these faint tones vibrating in the air and
render them audible. Yes, and I would labor quietly until it was
perfected, or the world might laugh.
The session closed and the college was deserted, save by the few musty
students whom, even in imagination, one could hardly separate or
distinguish from the old books on the library shelves. I could wish for
no better opportunity to begin my great work. The first thing would be
to prepare for it by a careful study of acoustics, and I buried myself
among volumes on the philosophy of sound.
Public-domain text, read in full here on John Shaqi.
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