The Automaton Ear, and Other SketchesMcLandburgh, Florence
Science
The Automaton Ear, and Other Sketches
McLandburgh, Florence
American fiction -- 19th century; Short stories, American
The Professor walked block after block, feeling unconsciously refreshed
by the crisp air upon his heated brow. Then he turned back, and when he
had reached the building went down an alley-way and entered by a door in
the rear.
A great confusion and general dimness, not lessened any by two or three
candles that were burning, pervaded the room, which was long and ran
almost across the house. Half a dozen men were standing or moving about,
and some were sitting or leaning upon coffins and biers, that covered
all the floor, except where they occasionally left narrow passages
between, like irregular aisles.
At the Professor’s entrance, the young man who had paid him so friendly
a visit came up instantly, took hold of him by the arm, and turned him
round, with the exclamation,—
“Here he is father! He is thin enough to be easily carried.”
The man denominated “father” by the young off-shoot of the establishment
surveyed the Professor with a critical eye from head to foot, and, as
there could be no better sample of physical spareness than he presented,
said, laconically,—
“He’ll do.”
Then there was new confusion and bustling about, and two or three
persons immediately seized the Professor, one by his hair, one by his
feet, one by his arms. With a grim smile, he submitted, in perfect
silence, to the operations of this dressing committee.
He saw himself—him, Gustav Kellermann, the philosopher!—blossom into
brilliant colors, scarlet and blue and orange. He saw them clasp a
girdle round his waist, to which they hung gilded toys and bells in all
directions, until he was fairly covered over with trinkets of every
device. He felt them encase his head—his learned, metaphysical head—in a
cap that was adorned at the point and round the sides with innumerable
swinging-dolls.
It had been daylight three or four hours when all the mysterious
preparations, which had been done almost without speaking a single word,
were finally completed, and every thing waited in readiness.
There, strangely conspicuous in that dismal room, with its dismal
paraphernalia of death, was a brilliant, half-human, half-monkey-like
creature, standing up on its hind legs, and flaming all over in gaudy
colors. To this grotesque figure, the important actor, evidently the
chief agent in the contract, a man of brief speech, came up and said,
brusquely,—
“Now, you are dead, you know, and have nothing to do but be dead. You
are not to be fidgeting, or stirring round, or peeping. When you are
dead, you are dead, you know, and that is all.”
O, Immanuel Kant! O, transcendental school! Good reasoning! When you are
dead, you are _dead_.
Then they picked up this half-human, half-monkey-like object, which had
uttered not one word, placed it in a coffin, and put upon it a
mask-face. Carrying it out by the rear door, they raised it and set it
down on a catafalque, draped in a black velvet pall, and ornamented with
tall black funeral plumes.
Public-domain text, read in full here on John Shaqi.
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