The Automaton Ear, and Other SketchesMcLandburgh, Florence
Science
The Automaton Ear, and Other Sketches
McLandburgh, Florence
American fiction -- 19th century; Short stories, American
O vain pomp and grandeur of death! When you are dead, you are _dead_.
A confused hurry and tramp of many feet was succeeded by a pause, and
some one said,—“Ready.”
The procession reached the open avenue and moved slowly down the street
to the sound of a funeral march. Solemnly, with measured tread, they
advanced, and the people flocked to the doors on every side. There was a
cry of surprise and alarm. “What is it?” “Who is it?” ran from lip to
lip. The crowd gathered. The procession, with its sable plumes and
ribbons of _crepe_, still continued on its way. There was the sound of
lamentation, and at every moment the throng and confusion increased, the
multitude thickened, and men, women and children were held off by the
guard. Do they go to the great cemetery? No, they turned eastward, and
at the Rosenthal halted. There the wondering spectators saw, in its
center, a pure white tomb. Before it the catafalque was brought to a
stand, and the coffin solemnly lowered.
Immediately a broken shout ran through the crowd, that was taken up and
repeated until it grew into a laugh, and men and women, catching up the
children, cried,—
“It is Kriss Kringle! Ha! ha! See, child, it is Kriss Kringle! He is
dead. Kriss Kringle is dead!”
It was a great relief to the people, so suddenly alarmed, and they good
humoredly held up the little ones, saying,—
“See! Kriss Kringle is dead. He will never come any more. He is dead!”
There was a silence; and many little faces, awe-stricken, looked
sorrowfully down, and many little arms were stretched out, and many
little voices, quivering, sobbed,—
“No, no, no! He will come back. He brought us pretty things. He will
come back to us.”
O, Immanuel Kant! O, transcendental school! Is your strength still
greater than this?
There was a stir under the heavy pall, and a voice—hark! a voice!—
“Yes, children, I will come back to you. I have come back to you!” And
from beneath the sable funeral drapery, Kriss Kringle sprang, all
jingling with silver bells, and flashing with a thousand toys.
Then again there was great confusion, but this time no sound of
lamentation; and the solemn funeral march swept into a strain of joyful
music. And the children! Oh, the children, in wild delight, played in
circles about the queer, grotesque being, who set to work destroying the
snow-tomb. He threw it at them in small crystal showers that called up,
each time as they fell, a burst of gleeful laughter. He detached the
bright toys from his girdle, from his cap, from his elbows, from his
knees, and rained them down upon the little ones who raced round him in
their mad frolic. Then he took off the false face and threw it far away,
and the people, in surprise, cried, “It is the Professor!” and drew back
awe-struck, to think they had taken such liberties with so renowned a
scholar. But the children never paused in their romp; and he said, while
they scrambled about him in merry laughter,—
Public-domain text, read in full here on John Shaqi.
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