It would certainly require great kindness or a determining influence on
the part of Mme. Passerat to protect this young woman, who possessed all
the physical blessings which are the envy of age and which form such an
attraction to a certain type of men.
When they saw the pitiless monocle of Philippe Lagier, both Mme.
Molay-Norrois and Mme. Derize experienced the same feeling of
constraint, and quietly withdrew from the circle of their many voluble
admirers. He tried to talk to the younger woman alone and finally
succeeded, after countless attempts, just as she was leaving.
"An interview?" she replied to his request, in her high-pitched voice
which so soon became annoying and seemed unsuited to serious
conversation. "But you are not on our side."
"I have a message which I must give you."
"From whom?"
"From Albert."
"I no longer know him."
This was said in a hard peremptory tone.
"It concerns your children--their custody. Have you lost your confidence
in me?"
She could not mistrust his intentions. Either from curiosity or because
the past still had a greater hold upon her than even she herself
realized, she brusquely consented without further request on his part.
"Very well, in an hour you can find me at my mother's house, at my
home--"
And her exit, with her mother as a diligent chaperon on one side, and on
the other, her father, who had understood the necessity for giving her
his public support, was an apotheosis befitting people of distinction.
This departure relieved the strain. Society, lavish with its compliments
and flatteries, must occasionally forsake this state of exaggerated
enthusiasm which is rather wearing to all concerned. But it is not for
the purpose of regaining the truth. Society sees everything in a
distorted fashion and manages so to confuse issues, that after
completely justifying its victims to the world, it turns and rends them.
"Do they know her name?" inquired Mme. Bonnard-Basson timidly. She was a
wealthy parvenu, whose money had been made in cement, and who was
received in society for her wealth, her pleasant ways and her meekness.
"Whose name?"
"Why ... the corespondent's."
Public-domain text, read in full here on John Shaqi.
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