"These words were uttered in such an impersonal manner that any personal
allusion was excluded. I could not discover in them the confession I was
trembling to find. I was silent. In venturing into this discussion, I
did not expect to be struck with my own weapons.
"Darkness, although not precipitated by the half-stripped trees near the
avenue, was gradually coming on. And I carried away from her home an
uncertainty, an unspeakable distress."
"October 20th: Nobody knows I have returned to Paris. However, finding
Mlle. de Sézery's door shut, I paid a visit to my old friend, Doctor
Heaume, who is incurably ill, as a result of excessive expenditure of
mental energy. I found him seated, or rather strapped to his work table
from which he no longer has strength to rise. Only his eyes are alive
and pitiful. One knows from a distance that his cheeks are already
paralyzed. With superhuman energy, he is completing his treatise on
nervous diseases. Then he will die.
"'If I cease working,' he said to me, 'my trouble is unbearable.'
"His pain is an unfortunate marriage which has destroyed him day by day.
On account of his children he has borne everything without a murmur.
Yesterday I admired him: to-day I pity him."
"October 22nd: The lack of outdoor life has broken down Anne's health.
We now go out together every afternoon. On our return, we have tea and
she sings Grieg or Schumann for me, or songs new to me, of coming
Russian musicians, Mouscorgsky or Rimsky Korsakof. Her musical memory
makes it possible to leave the lamps unlighted until night has come on.
In the twilight one is so happy. But in her dark drawing-room her
powerful voice is cramped, as is her soul in life.
"Paris is kind to intimate sentiments. One feels oneself as lost and
free as in a desert.
"Apropos of some character in history or a novel, we often speak of
love. I concluded by asking her in the most serious manner this question
which was tormenting me:
"'You have already loved?'
"'Oh, already,' she replied, laughing. 'At thirty, my friend?'
"'That is not an answer.'
"'Well, yes. Does that interest you?'
"'Very much. Many times?'
"'No, once. And other times a little.'
"'Tell me.'
"But she immediately became serious. 'To tell about one's love means to
give up part of it.'
"'Are you still in love?'
"'Leave me my secrets.'
"This scene took place in the Luxembourg Garden at the close of day. The
girl had turned her head away. Before her and back of the trees, stirred
by the autumn winds, there were lights in the sky. A roll of drums
warned us that it was time to leave. I looked at the graceful, supple
body which has already been embraced. How could I have doubted it? Her
woman's charm is so complete. I shall always see that spot where I have
been jealous, so horribly jealous."
"October 23rd: I am no longer master of my feelings. In the midst of my
work, I must let my thoughts go free--they may return wounded or tired.
And I see myself going adrift.
Public-domain text, read in full here on John Shaqi.
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