The Awakening of Helena RichieDeland, Margaret Wade Campbell
General
The Awakening of Helena Richie
Deland, Margaret Wade Campbell
Women -- Fiction
As he watched her through half-shut eyes, the bored good humor in his
face sharpened into something keener; he caught her hand as she whirled
past, drawing her close to him with a murmured caress. She, pausing in
her joy, looked at him with sudden intentness.
"Have you heard anything of--_Frederick?_"
At which he let her go again and answered curtly: "No; nothing.
Perfectly well, the last I heard. In Paris, and enjoying himself in his
own peculiar fashion."
She drew in her breath and turned her face away; they were both silent.
Then she said, dully, that she never heard any news. "Mr. Raynor sends
me my accounts every three months, but he never says anything
about--Frederick."
"I suppose there isn't anything to say. Look here, Nelly, hasn't that
stage-driver brought the hamper yet? When are we going to have
something to eat?"
"Oh, pretty soon," she said impatiently.
They were standing at one of the long windows in the parlor; through
the tilted slats of the Venetian blinds the April sunshine fell in pale
bars across her hair and dress, across the old Turkey carpet on the
floor, across the high white wainscoting and half-way up the
landscape-papered walls. The room was full of cheerful dignity; the
heavy, old-fashioned furniture of the Stuffed Animal House was
unchanged, even the pictures, hanging rather near the ceiling, had not
been removed--steel-engravings of Landseer's dogs, and old and very
good colored prints of Audubon's birds. The mantel-piece of black
marble veined with yellow was supported by fluted columns; on it were
two blown-glass vases of decalcomania decoration, then two gilt lustres
with prisms, then two hand-screens of woolwork, and in the middle an
ormolu clock--"Iphigenia in Aulis"--under a glass shade. In the recess
at one side of the fireplace was a tall bookcase with closed doors, but
a claw-footed sofa stood out from the wall at an angle that prevented
any access to the books. "I can't read Stuffed Animal books," Helena
had long ago confided to Lloyd Pryor. "The British Classics, if you
please! and Baxter's _Saint's Rest_, and _The Lady of the Manor_." So
Mr. Pryor made a point of providing her with light literature. He
pulled a paper-covered volume out of his pocket now, and handed it to
her.
"Not improving, Nelly, I assure you; and there is a box of candy in the
hamper."
She thanked him, but put the book down. "Talk to me, Lloyd. Tell
me--everything! How are you? How is Alice? Are you very busy with
politics and things? Talk to me."
"Well," he said good naturedly, "where am I to begin? Yes: I'm very
well. And very busy. And unusually poor. Isn't that interesting?"
"Oh, Lloyd! Are you in earnest? Lloyd, you know I have a lot of money,
and of course, if you want it, it is yours."
Public-domain text, read in full here on John Shaqi.
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